Poster Seong-Jin Cho
Seong-Jin Cho joins forces with the London Symphony Orchestra and Gianandrea Noseda on his new album.
Harald Hoffmann/DG
New Classical Tracks®

Pianist Seong-Jin Cho revisits Frédéric Chopin

New Classical Tracks - Seong-Jin Cho (Extended)
DOWNLOAD

Seong-Jin Cho — Chopin Piano Concerto No. 2 • Scherzi (DG)

listen
[-- : --]
New Classical Tracks - Seong-Jin Cho

Pianist Seong-Jin Cho became the first South Korean to win First Prize at the Warsaw International Chopin Competition in 2015. Following that award, he immediately recorded Chopin’s First Piano Concerto and the four Ballades with Gianandrea Noseda and the London Symphony Orchestra. Playing with the same orchestra and conductor, Cho has released his new album, Chopin Piano Concerto No. 2 • Scherzi.

Why have you returned to the music of Frédéric Chopin? 

“I didn’t record Chopin’s music intentionally for five years, because I didn't want to be labeled as a Chopin specialist. I wanted to explore different composers.”

How has your relationship with Chopin changed over the past six years? 

“It has been the same. I admire and respect his music, because he was very brave to convey so many of his emotions with his audiences. My style of play has changed in the past six years, but my connection with Chopin has not.”

What new discoveries did you make about his Second Piano Concerto?

“He wrote this piece when he was 20, and at the time he was falling in love. He almost dedicated this piece to her. That it’s so romantic, delicate and dramatic. I always try to take an innocent approach rather than a romantic one.”

In the first movement, your left hand emphasizes the shifting harmonies and your right hand has the melodic line. How challenging is it to make sure that the right hand doesn't take over? 

“There's a saying about Chopin's music that we made when we played his music: ‘The left hand should be like a like a tree, and the right has to be the leaves.’ Chopin's music, in general, is also very polyphonic. Not only is the right-hand melody important, but the left-hand melodic line or the inner voice is, as well.”

What is it about these pieces that allows you to feature all four Scherzi on a single program?

“They feel comfortable all in one place. They're musically connected, yet they're all different, but at the same time they're all similar. The fourth Scherzo is my favorite and the hardest. It is joyful, and the middle section is nostalgic.”

To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.

Resources

Seong-Jin Cho — Chopin Piano Concerto No. 2 • Scherzi (Amazon)

Seong-Jin Cho — Chopin Piano Concerto No. 2 • Scherzi (DG Store)

Seong-Jin Cho (official site)

Love the music?

Donate by phone
1-800-562-8440

Show your support by making a gift to YourClassical.

Each day, we’re here for you with thoughtful streams that set the tone for your day – not to mention the stories and programs that inspire you to new discovery and help you explore the music you love.

YourClassical is available for free, because we are listener-supported public media. Take a moment to make your gift today.

More Ways to Give

Your Donation

$5/month
$10/month
$15/month
$20/month
$

Latest New Classical Tracks® Episodes

VIEW ALL EPISODES

Latest New Classical Tracks® Episodes

Dobrinka Tabakova and Off the Beaten Path Festival reflect on 25 years with 'Stone Trail'
32:56
Countertenor John Holiday blends pop, jazz, R&B and opera on new album
33:46
Pianist Stephen Hough finds an 'element of fun' in his 'Piano Postcards'
16:25
Thomas Tallis meets 'Blade Runner' on Eric Whitacre's 'Eternity in an Hour'

Thomas Tallis meets 'Blade Runner' on Eric Whitacre's 'Eternity in an Hour'

Grammy-winning composer and conductor Eric Whitacre’s latest project is a result of his personal rediscovery of meditation and his ‘deep, deep love for synthesizers.’ Listen as he speaks to host Julie Amacher about a recording that he describes as “Thomas Tallis meets ‘Blade Runner.’”

27:08
Guitarist Jason Vieaux shares his deeply personal 'Gratitude' on latest recording
27:45
Maria Dueñas and Gustavo Dudamel pay homage to Jascha Heifetz

Maria Dueñas and Gustavo Dudamel pay homage to Jascha Heifetz

Violinist María Dueñas’ latest recording pays homage to Jascha Heifetz, one of the greatest violinists of all time, and reunites her with Venezuelan conductor Gustavo Dudamel and the Simon Bolivar Symphony Orchestra of Venezuela. Listen now with host Julie Amacher.

22:55
Violinist Ariana Kim sews an (un)common thread on latest album
26:33
Alice Sara Ott returns to Iceland to reimagine Johann Johansson

Alice Sara Ott returns to Iceland to reimagine Johann Johansson

Pianist Alice Sara Ott recently returned to Iceland to record the music of Icelandic composer Jóhann Jóhannsson. The resulting record features some of Jóhannsson’s orchestral works reimagined for solo piano, including some of his film scores. Listen now with host Julie Amacher.

25:13
Steven Copes, Stephen Prutsman and the SPCO reimagine Sergei Prokofiev
27:10
Manfred Honeck and the Pittsburgh Symphony Orchestra present Dvorak and Simon
26:24
VIEW ALL EPISODES

About New Classical Tracks®

Host Julie Amacher provides an in-depth exploration of a new classical music release each week.

Subscribe on Apple Podcasts, TuneIn, Radio Public, or RSS.

About New Classical Tracks®
YourClassical Radio
00:00
Infinity:NaN