Nilsson is a name many of us know in the cities - the three sisters grew up in Anoka and learned to play violin from their father soon making the concert stage their careers. Kristina, Elsa and Jenny Lind have a brother, Eric, who also played - but he practices fewer scales these days and has replaced it by practicing law. But Eric has a great insider's view of listening to classical music.
Maria Schneider, a Grammy-award winning composer and arranger, was in St. Paul the last week of September recording her new album with the SPCO, as well as conducting her Carlos Drummond de Andrade Stories.
Bach wrote his six Brandenburg Concertos for the Margrave of Brandenburg, Christian Ludwig, possibly hoping to secure employment in the margrave's court. Lacking the necessary virtuosic players, the margrave never heard the concertos, and the manuscripts weren't published until 1850, one-hundred years after Bach's death.
As the summer festival season gets underway, here's a performance that garnered whoops and hollers from the audience. In the Regional Spotlight this week is an August 2011 performance from the Alexandria Festival of the Lakes. Members of the SPCO and Minnesota Orchestra collaborated on the fiery Brahms Piano Quartet Op. 25.
William Roos is an income tax resource specialist and says he's jealous of our work at Classical MPR because Congress does not constantly change the rules about music.
Mark Russell Smith is the director of Orchestral Studies at the University of Minnesota Music School. From the moment he plans a concert, through giving insights to the audience from the podium to actually presenting the score, Mark brings an enthusiasm and commitment to a concert that makes the event unforgettable.
Tune in on Saturday, April 28 at 8 p.m. as Artistic Partner Roberto Abbado kicks off three weeks of concerts celebrating the music of Felix Mendelssohn with two of the composer's five symphonies, including his final symphony, Reformation. In addition, Principal Timpanist Michael Israelievitch will perform James MacMillan's Veni, Veni, Emmanuel, a concerto for percussion based on the Advent plainchant of the same name.
