On the latest episode of ‘Saturday Cinema,’ host Lynne Warfel celebrates graphic designer Saul Bass, whose posters and credit sequences set the tone for films such as ‘Vertigo,’ ‘The Pink Panther’ and more. Listen now!
Cassie Kinoshi has taken on the role of musical mad scientist by mixing together Black American jazz, West African and Caribbean rhythms, and Western classical music in a process of compositional nuclear fusion. Find out more in the 'Rhapsody in Black' podcast.
On the latest episode of ‘New Classical Tracks,’ violinist Gil Shaham performs Samuel Coleridge-Taylor’s Violin Concerto alongside conductor Eric Jacobson and the Virginia Symphony Orchestra. Listen now with host Julie Amacher!
On this episode of ‘Extra Eclectic,’ we hear considering both fleeting moments and the vastness of eternity, including Chris Rogerson’s ‘Thirty Thousand Days’ and Steve Reich’s ‘Proverb.’ Listen now with host Steve Seel!
On the latest episode of ‘Saturday Cinema,’ host Lynne Warfel features music from movies with summer settings, including ‘Summer of ‘42,’ ‘A Summer Place,’ ‘Suddenly Last Summer’ and ‘Summertime.’ Listen now!
Pianist Jon Batiste has been busy. He's offering three new albums at once: one tribute to Mozart and two tributes to Thelonious Monk.
Award-winning string duo Black Violin has been mixing classical and hip-hop for over 20 years. The group’s goal is to make the violin and viola sound naturally and unabashedly Black. Find out more in the 'Rhapsody in Black' podcast.
Batiste’s latest recording, Black Mozart, is about commonality, improvisation, expression and innocence, in that spiritual realm where Mozart lives. Listen now with host Julie Amacher.
Host Steve Seel poses a lot of musical questions on this episode of ‘Extra Eclectic,’ and you’ll have to decide if you hear any answers. Charles Ives’ ‘The Unanswered Question’ is “answered” by Laurie Spiegel’s work ‘The Unquestioned Answer.’
Hip-hop artist and composer André 3000 released his latest album, ‘New Blue Sun,’ in 2023. The album revolves around compositions with wind instruments and is a result of his need to explore the many influences around him, both jazz and classical. Find out more in the 'Rhapsody in Black' podcast.
