I used to play or listen to it and want to reconnect with that part of my life.

I listen to it regularly and want to engage with it on a deeper level.

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When I’m doing tasks like cooking, exercising or cleaning.

When I’m reading or studying, for example.

When I’m relaxing, sleeping or just “hanging out.

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I attend a few shows a year, but it’s not a large part of my life.

I regularly attend live shows and can’t get enough of them.

Do you enjoy live music?

I know what I like and rarely stray from my favorites.

I’m open to new things, but there are classics for a reason.

I relish discovering the new and unfamiliar.

When it comes to listening to music …

I like folk, bluegrass and more traditional forms.

If it’s improvised and cool, I’m there.

If I’m not listening to classical music, I’m listening to …

Rooted in Black music history in the Americas and worldwide.

Going beyond Western Europe traditions, often influenced by folk music.

Drawing from traditional music of the Middle East, Southeast Asia and more.

Delving into traditional music of Native Americans and other First Nations.

Surveying traditional music of Central and South America, and the Caribbean.

Exploring traditional music cultures from around the world.

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, composer Tina Davidson touches the earth with vulnerability on her latest album, 

, featuring the Jasper String Quartet and pianist Natalie Zhu. Listen to a clip from the interview in which Davidson discusses her creative process, her connection to the visual arts and more. 

On the Oct. 2 episode of ‘New Classical Tracks,’ composer Tina Davidson touches the earth with vulnerability on her latest album, ‘Barefoot,’ featuring the Jasper String Quartet and pianist Natalie Zhu. Listen to a clip from the interview in which Davidson discusses her creative process, her connection to the visual arts and more. 


Provided

Soprano Tina O’Malley, winner of the 2026 Karin Larson YourClassical Prize, performs “Regnava nel silenzio” from Gaetano Donizetti’s ‘Lucia di Lammermoor’ with pianist Carson Rose Schneider. 


Gaetano Donizetti - 'Regnava nel silenzio' from 'Lucia di Lammermoor'

Watch a studio session with soprano Tina O’Malley of New Brighton, Minnesota, who won the 2026 Karin Larson YourClassical Prize in the Preprofessional Musician category. 


Getting to Know Tina O’Malley, 2026 Karin Larson YourClassical Prize Winner

Watch violinist Ariana Kim play ‘Migrating Home,’ her own piece for violin and looping pedal. 


Ariana Kim - 'Migrating Home'

Watch violinist Ariana Kim play her arrangement of the Raga Aalapana: ‘Bahudari.’ 



Ariana Kim - 'Raga Aalapana: Bahudari'

Watch organist Jean-Baptiste Robin perform ‘Pavane de la Belle au bois dormant’ (‘Pavane of a Sleeping Beauty’) from ‘Ma mère l’Oye’ (‘Mother Goose Suite’) by Maurice Ravel. 



Jean-Baptiste Robin - 'Pavane of a Sleeping Beauty' by Maurice Ravel

Watch a studio session with violinist Ariana Kim about her latest album ‘(un)common thread.’


Violinist Ariana Kim sews an (un)common thread

Classically Training, Episode 6 – What is opera?

In this episode, ‘Classically Training’ makes a trip to the Minnesota Opera to find out where this art form came from and how all the pieces come together. 


Classically Training: What is opera?

Watch guest conductor Cynthia Johnston Turner lead the Minnesota Winds in a performance of ‘Unfurl’ by Katherine Bergman from the ensemble’s first-ever season finale. 


Minnesota Winds - 'Unfurl' by Katherine Bergman

Watch organist Jean-Baptiste Robin perform François Couperin’s ‘Plein Jeu.’


Jean Baptiste Robin - 'Plein Jeu' by François Couperin

Host Vernon Neal joins Minnesota composer Katherine Bergman at her home to talk about her latest composition for the Minnesota Winds, ‘Unfurl.’


Tina Davidson Interview Clip - New Classical Tracks

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