Rhapsody in Black

Michelle Cann is a trailblazing African American concert pianist and teacher who is inspiring the next generation of musicians at the Manhattan School of Music and the Curtis Institute. Find out more in the ‘Rhapsody in Black’ podcast.

Coleridge-Taylor Perkinson was a skilled pianist and conductor who composed and performed in the classical, television, theater, jazz and film industries, while also advocating for the Black community in the performing arts. Find out more in the 'Rhapsody in Black' podcast.

In 1965, saxophonist John Coltrane released his iconic album ‘A Love Supreme.’ Explore the spiritual journey captured in this jazz opus, its unique composition and its enduring influence on musicians worldwide. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

Flutist, composer and producer Allison Loggins-Hull is often described as someone whose work ‘defies classification.’ Find out more in the ‘Rhapsody in Black’ podcast.

Robert Fitzgerald Diggs, better known in the hip-hop world as RZA, is a founding member of the hip-hop collective Wu Tang Clan. Nowadays, he’s taking things a step further by writing a ballet. Find out more on the ‘Rhapsody in Black’ podcast.

The String Queens are a woman-powered string trio based out of Washington, D.C., who have made a difference in their community and in the classical music arena through their nontraditional programming and performances. Find out more in the 'Rhapsody in Black' podcast.

In 2021, Terence Blanchard became the first Black composer to have an opera staged at the Metropolitan Opera in New York. Whether it’s performing or composing jazz, film music and opera, he does it exceptionally well. Find out more in the latest episode of the ‘Rhapsody in Black’ podcast.

Paul Robeson was a star of stage and screen, but his passion was sharing spirituals. His goal was to elevate them to the same level as other musical forms. Find out more in the ‘Rhapsody in Black’ podcast.

Sly5thAve is a multifaceted musician from Texas whose arrangements fuse his education in jazz saxophone, his classical arranging skills and his Nigerian roots to create a whole new musical experience. Find out more in the 'Rhapsody in Black' podcast.

From the first performance of ‘Porgy and Bess,’ George Gershwin stipulated the opera had to feature an all-Black cast, not white performers in blackface. This benefitted Black opera singers, but their fear was being typecast. Find out more in the ‘Rhapsody in Black’ podcast.