Performance Today®

The great harpsichordist and conductor Ton Koopman loves music by Bach. His email address even includes Bach's name, and an important date from Bach's life. So when Koopman finally got the chance to conduct the Berlin Philharmonic this winter, what music did he select to open the concert? Bach, of course. The Orchestral Suite No. 3. That performance highlights hour 1, and in hour 2, Ivan Fischer leads the Orchestra of the Age of Enlightenment in what one critic called an "exuberantly subversive" and "charming" performance of Beethoven's Symphony No. 1. From a concert last month in London. Plus, we'll have late-breaking news on this year's Pulitzer Prize winner for music.

27 year-old Chinese pianist Lang Lang is on an American tour right now with an all-star youth orchestra: the Schleswig-Holstein Festival Orchestra from Germany. From their concert two weeks ago at the Kravis Center in West Palm Beach, Florida, Christoph Eschenbach conducts an electrifying performance of the Piano Concerto No. 3 by Prokofiev.

Venezuela's Simon Bolivar Youth Orchestra does a great job playing big, high-energy pieces. But at the recent Lucerne Easter Festival in Lucerne, Switzerland, they were able to show off their sensitive side as well. They gave a rousing performance of Tchaikovsky's sixth symphony, under the baton of conductor Claudio Abbado. Known for its mix of energy and pathos, Tchaikovsky's final symphony got its nickname "Pathetique" from the composer's brother Modest, at breakfast one Sunday morning.

Every summer a professional string quartet from New York City travels to the most remote area in the lower 48 states, the northeast corner of Arizona. They meet high school students from the Navajo and Hopi nations, as part of the Native American Composer Apprentice Project, which is part of the Grand Canyon Music Festival. But -- who is teaching whom? We'll hear from Navajo composer Mike Begay, and from members of the string quartet ETHEL. It's part two of this month's Performance Today feature "Music That Matters."

Pianist Mitsuko Uchida has one of the most expressive faces in classical music. Vaulted brows, piercing eyes. Her features sometimes seem to have multiple emotions dancing across them at once. She brings that same depth and breadth of expression to playing piano. Mitsuko Uchida joins conductor Simon Rattle and the Berlin Philharmonic in concert in Berlin, playing Beethoven's Piano Concerto No. 3. And Part 1 of this month's "Music That Matters" feature: Native American high school students from rural Arizona and Utah meeting a string quartet from New York, and writing their own works for quartet, thanks to the Native American Composers Apprentice Project at the Grand Canyon Music Festival.

Ravi Shankar, the great Indian sitar player and composer, is 90 years old today. Still composing, still playing, still touring, even. He just wrapped up a tour of New Zealand and Australia. We'll celebrate his birthday by revisiting the world premiere performance of his newest sitar concerto, featuring daughter Anoushka Shankar as the soloist, along with the Orpheus Chamber Orchestra.

Pianist Mitsuko Uchida's playing has been described using all the usual superlatives, but the word that seems to crop up most often is "poetic." Uchida shares her poetry with conductor Simon Rattle and the Berlin Philharmonic, in a performance of Beethoven's second piano concerto. And she'll be back again on Thursday's show for Beethoven's third concerto, from the same concert.

Venezuela's Simon Bolivar Youth Orchestra does a great job playing big, high-energy pieces. But at the recent Lucerne Easter Festival in Lucerne, Switzerland, they were able to show off their sensitive side as well. They gave a rousing performance of Tchaikovsky's sixth symphony, under the baton of conductor Claudio Abbado. Known for its mix of energy and pathos, Tchaikovsky's final symphony got its nickname "Pathetique" from the composer's brother Modest, at breakfast one Sunday morning.

Pianist Murray Perahia's playing has been described using words like "flawless" and "transcendent." In today's show, Perahia joins host Fred Child for an in-studio conversation about Bach and Chopin. He shares his thoughts on Bach's music ("full of emotions, but not Romantic"), and the ways that Bach influenced Chopin. He'll play part of a Bach partita and two Chopin works.