When piloting an airplane, safety has to be the number one consideration. Everything else takes a back seat. But safety isn't always the first thing on the mind of pianist (and private pilot) Alexander Melnikov. He says that, while he always has a Plan B when he's flying, that's tough to do on the concert stage. Melnikov takes some well-considered risks today, playing Schubert's "Wanderer Fantasy" in the PT studios.
If young men view death as an enemy to be conquered, then perhaps it's true that old men welcome it as a friend. That was the case with Richard Strauss, who imagined death and the afterlife in music when he was 26, with "Death and Transfiguration." The 84-year-old Strauss drew a warmer, richer, more bittersweet picture of death in his "Four Last Songs." Renee Fleming sings two, in concert in London.
When they met in 1999, pianist Lang Lang and conductor Christoph Eschenbach both fell victim to mistaken first impressions. Eschenbach thought Lang Lang, then 16, was nothing more than another kid with unrealistic ambitions. Lang Lang thought Eschenbach looked just like the actor Yul Brynner. They got past those awkward first moments, recognized the immense talent in each other, and have since forged a close friendship. They collaborate on a Mozart concerto in today's show.
When PT host Fred Child recently asked Philip Glass what the experience of composing is all about, Glass had a quick answer. "It's about fear," he said jokingly. If that's true, then Glass has been living with fear for three quarters of a century. He turns 75 today. In today's show, we'll have a tribute to this iconic American composer and hear highlights from the world premiere of his Ninth Symphony.
Stories of obsession in today's show. A conductor who obsesses over every detail of every performance, who says there's no room for democracy in his musical world. A composer so obsessed with his unfaithful wife that he murdered her and her lover, and spent the rest of his life anguishing over what he had done. And finally, a slightly manic piece for solo violin by Eugene Ysaye (pictured), aptly titled "Obsession."
In January of 1987, a new arts show hit the public radio airwaves for the first time. It was called Performance Today. A number of talented hosts and staffers have worked on the show in the intervening years. But the thing that has stayed during that time has been the immediacy of the show. Cellist Yo-Yo Ma calls it the "I was there" feeling you get from Performance Today. Join us and help us celebrate 25 years of Performance Today.
In January of 1987, a new arts show hit the public radio airwaves for the first time. It was called Performance Today. A number of talented hosts and staffers have worked on the show in the intervening years. But the thing that has stayed during that time has been the immediacy of the show. Cellist Yo-Yo Ma calls it the "I was there" feeling you get from Performance Today. Yo-Yo Ma, guitarist Jason Vieaux, and the Parker Quartet all help us celebrate 25 years of Performance Today.
Love or death? It's a question that's posed at some point in most every dramatic opera. And unlike everyday life, opera heroines generally have to choose between the two. In today's show, PT Young Artist in Residence Elizabeth Zharoff addresses the question in the role of four different opera characters: Iolanthe, Juliet, Elvira, and Pamina.
The young Sergei Prokofiev was fed up with critics who thought he could only write crunchy, avant-garde music. So he threw them a musical curve ball, his "Classical" symphony, written in a Haydnesque style. He called it "a challenge to make the geese angry." James Conlon leads the Los Angeles Philharmonic, in concert at Walt Disney Hall in Los Angeles.
