Charlie Harmon worked for several years as an assistant to Leonard Bernstein. In his new book On the Road and Off the Record With Leonard Bernstein and in his interview with Fred Child, Harmon describes vividly the October day in 1990 he was called to visit Bernstein and realized it was the last time they would see each other.
Six musical friends in New York have a part-time project called yMusic, a one-of-a-kind ensemble with an interest in "flourishing in the overlap between pop and classical worlds." On Thursday's Performance Today, hear yMusic perform "Everness" by Mark Dancigers, with special thanks from our friends at Classical KING-FM in Seattle.
Aaron Stern feels there's a reason he and Leonard Bernstein became so close. Stern says he learned a lot from Bernstein about music and feels he was able to teach Bernstein something about wisdom not long before Bernstein's death. Together they came up with the idea for the Academy for the Love of Learning which is celebrating 20 years as a nonprofit organization.
When Maurice Ravel wrote Gaspard de la Nuit, he was trying to make it the most difficult piano music ever written... perhaps even unplayable. Benjamin Grosvenor plays the unplayable, in concert, on Tuesday's Performance Today.
In so many ways, Leonard Bernstein was extraordinary. Talented, charismatic and handsome to boot, it was if a magic wand tapped his head at birth. His daughter Jamie Bernstein in her new book Famous Father Girl describes what the public didn't see: the doubt and guilt that nagged his conscience AND fueled his music.
We’re visiting Music From Angel Fire! Keep following for more as we go.
Fred Child signs off after attending the opening weekend of Music From Angel Fire on Performance Today.
In 1966, Orin O'Brien was the first woman to join the New York Philharmonic. She was hired by Leonard Bernstein. Orin O'Brien reflects back on a mentor and musical icon, Leonard Bernstein, on Monday's Performance Today. Garrett McQueen guest hosts.
Orin O'Brien was the first woman hired to perform full-time with the New York Philharmonic. Watching Leonard Bernstein conduct was certainly exciting for the audience, but this double bassist says it was exhilarating and terrifying to face the conductor as a member of his orchestra. O'Brien calls working with Bernstein "one of the best experiences of my professional life."
