Elizabeth Rowe, principal flutist of the Boston Symphony Orchestra, confesses that, "When I listen to any recording of Daphnis and Chloe, I get nervous before the flute solo. It doesn't matter who's playing." We'll hear Rowe getting nervous, and performing beautifully, along with the rest of her colleagues in the Boston Symphony. They'll perform excerpts from Ravel's ballet, "Daphnis and Chloe," including that big, nerve-wracking flute solo. Also, a look at several Grammy-nominated recordings and a new Piano Puzzler.
Johannes Brahms lived another twelve years after finishing his fourth and final symphony. Even so, conductor Simon Rattle hears a man facing his own mortality in the music. Rattle shares his insights into this monumental work, in the final installment of our look at the symphonies of Brahms. And he leads the Berlin Philharmonic in a live performance. We also note the passing of eminent American pianist Earl Wild, who died this past weekend at the age of 94.
In 1910, Gustav Mahler was 50 years old and working on his tenth symphony. And he was a man with a broken heart, both literally and figuratively. He was diagnosed with an inflammation of the inner layer of the heart. He was madly, passionately in love with his wife, Alma. And he discovered she was having an affair. That heartache couldn't help but find its way into his symphony. Today, Michael Tilson Thomas leads the San Francisco Symphony in excerpts from Mahler's tenth from San Francisco.
Violinist Rachel Podger was once told by her teacher that Baroque violin playing was only for those who can't play real violin. So she sneaked out and took Baroque violin lessons on the side. Podger has since become one of the great early music interpreters, and performs with London's Orchestra of the Age of Enlightenment in today's show. Podger is both soloist and conductor in a Haydn violin concerto.
Richard Strauss was the master of the tone poem, evocative music that tells the story of people and places and moods. In today's show, we'll hear two Strauss tone poems, one a love story, the other a dark comedy. The French National Orchestra and Daniele Gatti perform "Don Juan" and "Till Eulenspiegel's Merry Pranks" in Paris. Plus, the Grammies are coming up on the 31st and we'll feature several Grammy-nominated recordings.
Years ago, there were few if any American orchestras that could measure up to those in Europe. Now, many of the finest bands in the world are from the states. The next orchestral frontier is in Asia, with several talented groups emerging. On today's show, the KBS Symphony Orchestra from Seoul, South Korea, plays Tchaikovsky's sixth symphony. Claus Peter Flor conducts.
Violinist Rachel Podger was once told by her teacher that Baroque violin playing was only for those who can't play real violin. So she sneaked out and took Baroque violin lessons on the side. Podger has since become one of the great early music interpreters, and performs with London's Orchestra of the Age of Enlightenment in today's show. Podger is both soloist and conductor in a Haydn violin concerto.
Ukrainian pianist Alexander Gavrylyuk saw everything slip away in an instant seven years ago, when a car crash led to a month-long coma. Gavrylyuk has fully recovered from that accident, and his playing is more powerful and poetic than ever. We'll hear him play Chopin and Scriabin Etudes in concert in Miami. And another musician who has come back from a potentially devastating injury: violinist Peter Oundjian lost full use of his left hand due to a repetitive stress disorder. So he took up conducting. Today he'll lead the Toronto Symphony in excerpts from Anton Bruckner's Symphony No. 4.
On this Martin Luther King Day, our entire show is devoted to a celebration of the life of Dr. King. Music was an important force in the civil rights movement, and important in the personal life of Dr. King as well. Thursday night in Atlanta, the Atlanta Symphony and the singers of Morehouse and Spelman Colleges in Atlanta presented a King celebration concert. We'll hear highlights from that concert in both hours today.
This weekend on PT, it's our Piano Puzzler. Composer Bruce Adolphe re-writes a familiar tune in the style of a great classical composer. We get a listener on the phone who tries to guess the hidden tune, and the composer whose style Bruce is mimicking. See if you can guess what Bruce is up to, on this weekend's Piano Puzzler.
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American Public Media’s Performance Today® is America’s most popular classical music radio program and a winner of the 2014 Gabriel Award for artistic achievement. The show is broadcast on hundreds of public radio stations across the country, including at 1 p.m. central weekdays on Minnesota Public Radio. More information about our stations can be found at APM Distribution.
Performance Today® features live concert recordings that can’t be heard anywhere else, highlights from new album releases, and in-studio performances and interviews. Performance Today® is based at the APM studios in St. Paul, Minnesota, but is frequently on the road, with special programs broadcast from festivals and public radio stations around the country. Also, each Wednesday, composer Bruce Adolphe joins host Fred Child for a classical musical game and listener favorite: the Piano Puzzler.
Since 2000, Fred Child has been the host of Performance Today, the most-listened-to classical music radio show in America. He also is the commentator and announcer for Live From Lincoln Center, the only live performing arts series on television. He also hosts musical events on stages around the country, working with major orchestras and festivals, and connecting with audiences coast to coast.
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Kathryn Slusher is the senior producer of Performance Today, where she leads programming and production for the show. In her spare time, she enjoys the vibrant Twin Cities music and theater scene, and loves to read, hike and spend time with her family.
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As a Producer for Performance Today, Meghann chooses music to broadcast on the show, writes web articles and scripts, facilitates, conducts and edits interviews, creates video content and manages PT’s social media pages. She created Performance Today’s Black History Spotlight Series and the My Name is Series to highlight Black classical musicians. Meghann is also the producer for the PT Young Artist in Residence Series. In her free time, she is a mom, a part-time actress and fashion lover.
Meghann also created and hosted “Wondrous Strange”, a national radio program about uncommon musical instruments, she is the official underwriting voice for ‘The New York Times’ The Daily, and she can occasionally be heard guest-hosting Performance Today.
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As an Associate Producer for Performance Today, Kathleen Bradbury writes scripts and assists with external communications. In her spare time, she likes to read fiction, lift heavy weights at the gym, and frolic about in nature. But above all else, Kathleen loves to sing Broadway showtunes--much to the delight of her wife, her infant son, and her rescue dog.
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Jon Gohman is an associate producer for Performance Today. He is responsible for various behind-the-scenes functions, including liaising with artists and creating materials for national distribution. In his spare time, he enjoys reading, playing the guitar, and thinking about Langrange points.
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Craig Thorson is the Technical Director for Performance Today. In addition to mastering the live music recordings that are programmed for each daily program, he records guest performances and interviews. Craig enjoys skiing, tennis, and bicycling, and boating.
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Jeanne Barron is the technical producer of Performance Today.
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