There is a lovely Bavarian town called Traunstein. The Alps rise majestically on one side, lakes glimmer on the other. A monastery was founded in the town center in 1685. Now it's used as an art gallery and performance space. From that former monastery in Bavaria, we'll hear a sparkling performance of Mozart's Piano Quartet in E-flat Major. Also: Samuel Barber was a great American composer, but as his friend Lee Hoiby recalls, Barber was not always a model of decorum. Hoiby tells a story about Barber kicking his way through patrons at a concert one evening.
We're continuing to focus on the music of Samuel Barber, in honor of his 100th birthday. In today's show, "Knoxville: Summer of 1915," set to the words of James Agee. Agee's words describe a deliciously languid summer evening in Tennessee, with everyone gathered under the trees to stay cool. Barber's music adds just the right quality of amazement, according to conductor Nicholas McGegan. McGegan conducts the Saint Paul Chamber Orchestra and soprano Carolyn Sampson in a performance.
Samuel Barber's greatest hit was his Adagio for Strings. It began its life as the slow movement of a string quartet, heard on yesterday's show. Today, it occupies a special place in our consciousness. Used at state funerals and solemn occasions. When he wrote it, it's unlikely the 26-year-old Barber could have imagined it would take on such a life of its own. The Barber Adagio, in several different arrangements, today on PT.
"Chopin's very good for you, he's a good gym composer...he really gets you in shape!" So says pianist Garrick Ohlsson in our PT interview. But that's only one side of Chopin's appeal for Ohlsson. He also says "there is an uninhibited emotionality about Chopin...he evokes on the piano an emotional state of consciousness, alive and flickering and varying moment to moment." Garrick Ohlsson joins us to talk about the art of playing Chopin. And Ohlsson plays a pair of Chopin Etudes, the Ballade No. 1, and a meltingly beautiful Nocturne.
We're continuing to focus on the music of Samuel Barber, one day after his 100th birthday. In today's show, "Knoxville: Summer of 1915," set to the words of James Agee. Agee's words describe a deliciously languid summer evening in Tennessee, with everyone gathered under the trees to stay cool. Barber's music adds just the right quality of amazement, according to conductor Nicholas McGegan. McGegan conducts the Saint Paul Chamber Orchestra and soprano Carolyn Sampson in a performance.
Samuel Osborne Barber II was born 100 years ago today. We'll be highlighting some of Barber's greatest hits in the coming weeks. In today's show, Barber friend and fellow composer Lee Hoiby shares stories of his friend, including one involving his overture to "The School for Scandal." Details in the show, but the moral of the story: don't snub the oboist's wife. Music by one of America's greatest composers, all this week on Performance Today.
There are two versions of Robert Schumann's fourth symphony. There's the original version from 1841, which his young friend Johannes Brahms preferred. Then there was the revised version from 10 years later, that Schumann's wife Clara liked. When Schumann died, Johannes and Clara quarreled over which version to publish. Clara won. In this hour, we'll hear the original version that Brahms was partial to, performed by the Lausanne Chamber Orchestra.
PT's Artists in Residence, the Parker Quartet, return to our studios. They'll talk about the experience of playing the prized matching Strads owned by the Library of Congress in Washington, D.C. They'll settle for their own instruments in our studio, and play Haydn's String Quartet No. 25.
This past Monday night, there was a gala all-Chopin concert at the Grand Theater in downtown Warsaw. We'll hear highlights: Yundi Li (winner of the 2000 Chopin Piano Competition) plays a pair of Chopin Nocturnes, and Garrick Ohlsson (winner of the 1970 Chopin Competition) plays a Chopin Waltz. And our series "Music That Matters" continues with a return to Ramallah, on the West Bank. We'll hear more from the music school "Al Kamandjati," founded by violist Ramzi Aburedwan. And from their annual winter concert in Ramallah, the Al Kamandjati Players perform the final movement from Vivaldi's "Autumn," from "The Four Seasons."
Our monthly series "Music That Matters" returns with the story of Ramzi Aburedwan, who grew up in a Palestinian refugee camp. When he was 8 years old, Aburedwan became the subject of a famous photograph, a boy throwing stones at Israeli soldiers. Ten years later, he learned to play viola. Aburedwan says "I fell in love immediately, and from that day until today I am in the world of music." In 2005, Aburedwan founded a music school in Ramallah, on the West Bank.
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American Public Media’s Performance Today® is America’s most popular classical music radio program and a winner of the 2014 Gabriel Award for artistic achievement. The show is broadcast on hundreds of public radio stations across the country, including at 1 p.m. central weekdays on Minnesota Public Radio. More information about our stations can be found at APM Distribution.
Performance Today® features live concert recordings that can’t be heard anywhere else, highlights from new album releases, and in-studio performances and interviews. Performance Today® is based at the APM studios in St. Paul, Minnesota, but is frequently on the road, with special programs broadcast from festivals and public radio stations around the country. Also, each Wednesday, composer Bruce Adolphe joins host Fred Child for a classical musical game and listener favorite: the Piano Puzzler.
Since 2000, Fred Child has been the host of Performance Today, the most-listened-to classical music radio show in America. He also is the commentator and announcer for Live From Lincoln Center, the only live performing arts series on television. He also hosts musical events on stages around the country, working with major orchestras and festivals, and connecting with audiences coast to coast.
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Kathryn Slusher is the senior producer of Performance Today, where she leads programming and production for the show. In her spare time, she enjoys the vibrant Twin Cities music and theater scene, and loves to read, hike and spend time with her family.
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As a Producer for Performance Today, Meghann chooses music to broadcast on the show, writes web articles and scripts, facilitates, conducts and edits interviews, creates video content and manages PT’s social media pages. She created Performance Today’s Black History Spotlight Series and the My Name is Series to highlight Black classical musicians. Meghann is also the producer for the PT Young Artist in Residence Series. In her free time, she is a mom, a part-time actress and fashion lover.
Meghann also created and hosted “Wondrous Strange”, a national radio program about uncommon musical instruments, she is the official underwriting voice for ‘The New York Times’ The Daily, and she can occasionally be heard guest-hosting Performance Today.
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As an Associate Producer for Performance Today, Kathleen Bradbury writes scripts and assists with external communications. In her spare time, she likes to read fiction, lift heavy weights at the gym, and frolic about in nature. But above all else, Kathleen loves to sing Broadway showtunes--much to the delight of her wife, her infant son, and her rescue dog.
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Jon Gohman is an associate producer for Performance Today. He is responsible for various behind-the-scenes functions, including liaising with artists and creating materials for national distribution. In his spare time, he enjoys reading, playing the guitar, and thinking about Langrange points.
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Craig Thorson is the Technical Director for Performance Today. In addition to mastering the live music recordings that are programmed for each daily program, he records guest performances and interviews. Craig enjoys skiing, tennis, and bicycling, and boating.
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Jeanne Barron is the technical producer of Performance Today.
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