Composers Datebook®

Bloch's greatest hit

Composers Datebook - May 3, 2026
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Synopsis

Today marks the anniversary of the first performance of the best-known work of Swiss-born American composer, Ernest Bloch, whose Hebrew Rhapsody: Schelomo, for cello and orchestra, premiered at Carnegie Hall on today’s date in 1917. The piece is a meditation on the Book of Ecclesiastes, which describes King Solomon reflecting sadly on the vanity of human endeavor — Schelomo being the original Hebrew pronunciation of Solomon.

Schelomo premiered just a year after Bloch came to the United States. In America, Bloch had found encouragement and remarkable acceptance of his music. His Schelomo was premiered at an all-Bloch concert at Carnegie Hall arranged by The Society of the Friends of Music with the Philadelphia orchestra’s principal cellist Hans Kindler as soloist.

Schelomo was originally written with Russian cellist Serge Alexander Barjansky in mind, and was dedicated to him and his wife; but it was not until a concert in Rome in 1933, a fateful year for European Jewish communities, that Bloch got to conduct the work with Barjansky as soloist. Despite his success in America, he tried to resume his career in Europe in the 1930s, but, discouraged by the rise of anti-Semitism and threats of war, he returned to American for good in 1938.

Music Played in Today's Program

Ernest Bloch (1880-1959): Schelomo; Mischa Maisky, cello; Israel Philharmonic; Leonard Bernstein, conductor; DG 427 347

On This Day

Births

  • 1886 - French organist and composer Marcel Dupré, in Rouen

  • 1920 - American composer and jazz pianist John Lewis, in LaGrange, Illinois

Deaths

  • 1704 - Austrian composer Heinrich Biber, 59, in Salzburg

Premieres

  • 1831 - Hérold: Zampa, at the Opéra-Comique in Paris

  • 1893 - Horatio Parker: oratorio Hora Novissima, in New York City

  • 1917 - Bloch: Schlemo and Israel Symphony at Society of the Friends of Music Concert, Artur Bodanzky conducting

  • 1919 - Debussy: Clarinet Rhapsody (orchestral version), in Paris, with clarinetist Gaston Hamelin, at Pasdeloup Concert

  • 1929 - Poulenc: Concert Champêtre for harpsichord and orchestra, at the Salle Pleyel in Paris, by the Paris Symphony with Pierre Monteux conducting and Wanda Landowska the soloist

  • 1934 - Bernard Rogers: Three Japanese Dances, in Rochester, New York

  • 1943 - Cowell: American Melting Pot (Set for Chamber Orchestra), at Carnegie Hall in New York, by the Orchestrette of New York, Frédérique Petrides conducting

  • 1952 - Vaughan Williams: Romance for harmonica and orchestra, in New York City

  • 1958 - Walter Hartley: Concerto for 23 Winds, at the Eastman School in Rochester, New York by the Eastman Wind Ensemble, Frederick Fennell conducting

  • 1963 - Cowell: Quartet for Flute, Oboe, Cello and Harp, at the University of Miami, by John Bitter (flute), Julien Balogh (oboe), Hermann Busch (cello), and Mary Spalding (Mrs. Fabien) Sevitzky (harp). The work is dedicated to the conductor Fabien Sevitzky “in honor of his many services to American music.”

  • 1969 - Shostakovich: Violin Sonata, in Moscow, with David Oistrakh and Sviatoslav Richter

  • 1989 - James MacMillan: Visions of a November Spring for string quartet, at University Concert Hall in Glasgowm Scotland, by the Bingham String Quartet

Others

  • 1971 - Debut broadcast of National Public Radio’s All Things Considered with an electronic theme by composer Don Voegeli of the University of Wisconsin (In 1974, Voegeli composed a new electronic ATC theme, the now-familiar signature tune of the program).

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About Composers Datebook®

Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.

He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.

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