Synopsis
A surprise best-selling entry on the Billboard charts in 1968 was an LP titled Switched-On Bach. Of course, the 1960s were a kind of turned-on time in general, but the LP’s title didn’t refer to the sexual revolution or anything that Timothy Leary was advocating — no, this was just Johann Sebastian Bach performed on an electronic synthesizer, a Moog synthesizer to be precise, a maze of electronic circuits, wires, knobs and keyboards invited by Robert Arthur Moog, who enlisted several composers for help in its development as a musical instrument. One of them was Wendy Carlos, whose Switched-On Bach album helped put the Moog on the map.
On today’s date in 1971, it was a synthesized electronic theme that introduced a new program from NPR, All Things Considered. The original theme was created by Wisconsin composer Don Voegeli on a tiny Putney synthesizer, but in 1974, when Voegeli was asked to create a new, updated version of the ATC theme, he used the brand-new Moog synthesizer he had just purchased for his Madison studio, which was installed by Robert Moog — and took up an entire room.
For almost 10 years, Voegeli’s Moog version of the ATC theme was heard week-in, week out on public radio, until in 1983 the very familiar electronic theme was arranged for live studio musicians.
Music Played in Today's Program
J.S. Bach (1685-1750) arr. Carlos: Fugue No. 7, from WTC Book 1; Wendy Carlos, Moog synthesizer; Sony 7194
Don Voegeli (1920-2009): All Things Considered theme (1974 version); Don Voegeli, Moog synthesizer NPR recording
On This Day
Births
1886 - French organist and composer Marcel Dupré, in Rouen
1920 - American composer and jazz pianist John Lewis, in LaGrange, Illinois
Deaths
1704 - Austrian composer Heinrich Biber, 59, in Salzburg
Premieres
1831 - Hérold: Zampa, at the Opéra-Comique in Paris
1893 - Horatio Parker: oratorio Hora Novissima, in New York City
1917 - Bloch: Schlemo and Israel Symphony at Society of the Friends of Music Concert, Artur Bodanzky conducting
1919 - Debussy: Clarinet Rhapsody (orchestral version), in Paris, with clarinetist Gaston Hamelin, at Pasdeloup Concert
1929 - Poulenc: Concert Champêtre for harpsichord and orchestra, at the Salle Pleyel in Paris, by the Paris Symphony with Pierre Monteux conducting and Wanda Landowska the soloist
1934 - Bernard Rogers: Three Japanese Dances, in Rochester, New York
1943 - Cowell: American Melting Pot (Set for Chamber Orchestra), at Carnegie Hall in New York, by the Orchestrette of New York, Frédérique Petrides conducting
1952 - Vaughan Williams: Romance for harmonica and orchestra, in New York City
1958 - Walter Hartley: Concerto for 23 Winds, at the Eastman School in Rochester, New York, by the Eastman Wind Ensemble, Frederick Fennell conducting
1963 - Cowell: Quartet for Flute, Oboe, Cello and Harp, at the University of Miami, by John Bitter (flute), Julien Balogh (oboe), Hermann Busch (cello) and Mary Spalding (Mrs. Fabien) Sevitzky (harp). The work is dedicated to the conductor Fabien Sevitzky “in honor of his many services to American music.”
1969 - Shostakovich: Violin Sonata, in Moscow, with David Oistrakh and Sviatoslav Richter
1989 - James MacMillan: Visions of a November Spring for string quartet, at University Concert Hall in Glasgowm Scotland, by the Bingham String Quartet
Others
1971 - Debut broadcast of National Public Radio’s All Things Considered with an electronic theme by composer Don Voegeli of the University of Wisconsin (In 1974, Voegeli composed a new electronic ATC theme, the now-familiar signature tune of the program)
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About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.