The intersection of classical and jazz

The question of why Franz Schubert never completed his Symphony No. 8 has intrigued music scholars and enthusiasts for generations. There are theories, of course, but does it truly matter? The landmark work has become one of Schubert's most frequently performed works. On today's show, we'll travel to Lugano, Switzerland, to hear Schubert's Symphony No. 8.

In 2023, Clarice Assad composed a piece to honor the universe that is her own family. The first two movements depict her daughters, Antonia and Stella; the final movement celebrates her partner, whom Assad says "radiates the warmth and strength of the sun." We'll hear Clarice Assad's "Constellation" on today's show.

Pianist Stephen Hough describes the music of Federico Mompou as "the music of evaporation." Hough says, "The notes are too simple and the soul too complex for conventional analysis." On today's show, we'll hear Stephen Hough perform Mompou’s Cants Mágìcs (Magical Songs) at a concert in Morrow, Georgia.

We often hear Samuel Barber's Adagio as a standalone piece for string orchestra, but it began as the slow movement of a string quartet. Alone, the Adagio feels so simple, so profound, and somehow much more poignant in the context of the entire quartet. Hear the Viano String Quartet perform Barber's Adagio at a concert presented by Music@Menlo in Menlo Park, California.

In Ukrainian, the word "dumka" means "thought" or “notion." In music, a dumka is a somewhat dreamlike dance that often revisits a bittersweet reflection on the sadness of life. Today, we’ll hear English composer Rebecca Clarke’s ‘Dumka,’ from a concert presented by the Fabian Concert Series in Macon, Georgia.

Today, we’re featuring one of our 2025 Young Artists in Residence: double-bassist Nina Bernat. In today's show, Nina joins Fred Child for music and conversation at our studio in Saint Paul.

As talented young kids, siblings Geneva Lewis and Nathan Lewis were part of a successful family trio. They’re all grown up now, each at the top of their careers, and they still find time to make music together. In today’s episode, Geneva and Nathan Lewis perform a duet by Edward Elgar at a concert in Athens, Georgia.

In 1940, Eleanor Roosevelt was introduced to Symphony No. 3 by African American composer Florence Price; the First Lady loved it and praised it enthusiastically in her daily newspaper column. On today’s show, we’ll take you to a recent concert in St. Louis for a performance of Price’s Symphony No. 3.

When composer and pianist Franz Liszt was a young man, he was fascinated with death. He went to hospitals to observe people who were sick or dying. He went to prisons to meet people who had been condemned to die. On today’s show, we’ll hear Franz Liszt’s Totentanz, The Dance of Death, a piece based on the Dies Irae, a chant from the Catholic Mass for the Dead.

Invented by Adolphe Sax in the 1840s, the saxophone has long been seen as an outsider in classical music. But Timothy McAllister is on a mission to change that. On today’s show, Timothy McAllister performs a saxophone classic: Alexander Glazunov’s Saxophone Concerto.