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Exploiting Diversity

Perhaps no other instrument has as many facets as the guitar. It's part of nearly every culture and sub-culture in the world. John Dearman, one of the members of the Los Angeles Guitar Quartet, says that's the key to its success. He says, "The way to make classical guitar work is to exploit the diversity." John Dearman and the other members of the LAGQ will be in the PT studios today, following their own advice, exploiting the diversity of the guitar. We'll hear them in everything from 17th century Spain to modern-day jazz.

Episode Playlist

Hour 1

Gustav Mahler: The Drunkard in Spring, from Das Lied von der Erde (the Song of the Earth)
Brennen Guillory, tenor, the Orchestra of the Swan, Kenneth Woods, conductor

Anonymous: Hors oires une Chanson
Piffaro
Presbyterian Church of Chestnut Hill, Philadelphia

Robert Schumann: Symphony No. 2 in C, Op. 61
The Orchestra of the Swan, Kenneth Woods, conductor
Civic Hall, Stratford-upon-Avon, England

Francois Couperin: First movement from Keyboard Piece No. 27 in B Minor, Book Four
Juho Pohjonen, piano
Music@Menlo, Palo Alto, California

Hour 2

Steve Howe: Aire para un Dia (Mood for a Day)
The Los Angeles Guitar Quartet

Niccolo Paganini: Solo Violin Caprice No. 19 in E-flat, Op. 1
Augustin Hadelich, violin
Congress Hall, Saarbrucken, Germany

Hector Berlioz: First movement from Symphonie Fantastique, Op. 14
The Aspen Festival Orchestra, Osmo Vanska, conductor
Aspen Music Festival, Aspen, Colorado

Perfchat with the Los Angeles Guitar Quartet: Perfchat

Andrew York: Djembe
The Los Angeles Guitar Quartet
Maud Moon Weyerhaeuser Studio, St. Paul

Traditional (arranged by William Kanengiser): Music from the Time of Cervantes
The Los Angeles Guitar Quartet
Maud Moon Weyerhaeuser Studio, St. Paul

Miles Davis: Blue in Green
The Los Angeles Guitar Quartet
Maud Moon Weyerhaeuser Studio, St. Paul

Paulo Bellinati: A Furiosa
The Los Angeles Guitar Quartet
Maud Moon Weyerhaeuser Studio, St. Paul

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