Composers Datebook®

Prokofiev and Rochberg chamber premieres

Synopsis

Today’s date marks the anniversary of the first performances of two 20th century chamber works.

On April 25, 1931, Russian composer Sergei Prokofiev’s String Quartet No. 1 received its premiere performance by the Brosa Quartet at the Library of Congress in Washington, DC. Accepting the commission from the Library’s Elizabeth Sprague Coolidge Foundation, Prokofiev set about studying pocket scores of the string quartets of Beethoven, which he perused on trains while shuttling between concert engagements.

Prokofiev himself described the work’s opening as “rather classical,” but when the new quartet was premiered in Moscow, the verdict of the all-powerful Association of Proletarian Musicians was that it was too “cosmopolitan,” a pejorative adjective in Soviet arts criticism in the Stalinist Era that meant something like “unacceptably modern.”

Our second chamber music premiere occurred on April 25th in 1980, when the Octet for Winds and Strings by the American composer George Rochberg was performed for the first time at Alice Tully Hall in New York City. The occasion was a concert by the Chamber Music Society of Lincoln Center, who had commissioned the new piece.

At the time, Rochberg was a rather controversial figure for shifting from his earlier, strictly atonal style into a more emotionally charged neo-Romantic approach to music making, often referencing earlier composers and musical styles of the past. The music critic of The New York Times thought he heard a touch of Rachmaninoff in Rochberg’s new piece—an observation that some at the time would translate as really meaning the work was “unacceptably old-fashioned.”

Music Played in Today's Program

Sergei Prokofiev (1891-1953) String Quartet No. 1 St. Petersburg String Quartet Delos 3247

George Rochberg (1918-2005) Octet (A Grand Fantasia) New York Chamber Ensemble; Stephen Rogers Radcliffe, cond. New World 80462

On This Day

Births

  • 1690 - Baptismal date of German composer and organist Gottlieb Muffat, in Pasau; He was the son of German composer Georg Muffat (1653-1704);

  • 1840 - Russian composer Pyotr Ilyitch Tchaikovsky (Gregorian date: May 5);

Deaths

  • 1906 - American composer John Knowles Paine, age 67, in Cambridge, Mass.; At Harvard, he created the first Music Department of any American university, and was the teacher there of a number of other American composers, including John Alden Carpenter, Arthur Foote, E.B. Hill, F.S. Converse, and D.G. Mason;

Premieres

  • 1881 - Gilbert Sullivan: operetta "Patience," in London;

  • 1918 - Schreker: opera "Die Gezeichneten" (The Branded), in Frankfurt at the Opernhaus;

  • 1926 - Puccini: opera "Turandot," in Milan at the Teatro alla Scala, with Arturo Toscanini conducting; The final scene of this opera, left unfinished at the time of Puccini's death, was completed by Alfano;

  • 1929 - Roussel: "Psalm 80" for tenor, chorus and orchestra, in Paris;

  • 1931 - Prokofiev: String Quartet No. 1 in b, Op. 50, at the Library of Congress in Washington, DC, by the Brosa Quartet;

  • 1963 - Hindemith: Organ Concerto, for a jubilee concert of the New York Philharmonic, with the composer conducting and Anton Heiller the soloist;

  • 1980 - Rochberg: "Octet - A Grand Fantasia," at Alice Tully Hall, by the Chamber Music Society of Lincoln Center;

  • 1999 - André Previn: Bassoon Sonata, in New York, with Nancy Goeres and the composer at the piano;

Others

  • 1841 - At a fund-raising concert in Paris for the Beethoven monument to be erected in Bonn, Franz Liszt performs Beethoven's "Emperor" Concerto with Berlioz conducting; Richard Wagner reviews the concert for the Dresden Abendzeitung; The following day, Chopin gives one of his rare recitals at the Salle Pleyel, and Liszt writes a long and glowing review for the Parisian Gazette Musicale;

  • 1865 - Pope Pius IX confers on composer Franz Liszt the title of "Abbé".

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About Composers Datebook®

Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.

He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.

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