Carter times Three

Synopsis

The American composer Elliott Carter has a reputation for writing some of the thorniest, most abstract and most technically difficult orchestral scores of the 20th century.

But for a few moments at least, during the opening of Carter’s “Symphony of Three Orchestras,” which had its premiere performance on today’s date in 1977 at a New York Philharmonic concert conducted by Pierre Boulez, audiences must have been surprised by an impressionistic, almost Romantic tone. In notes for the new piece, Carter admitted the opening of the new work was inspired by the poetry of Hart Crane, specifically Crane’s description of the New York harbor and the Brooklyn Bridge. Both those New York landmarks were a short walk away from Carter’s lower Manhattan apartment in 1977.

Carter’s 15-minute “Symphony of Three Orchestras” quickly shifts into his more recognizably dense style, however, and, as the title indicates, employs three orchestras on one stage, playing with and against each other at various points.

As the New York Times reviewer wrote: “Mr. Carter has never made concessions to his listeners. The dissonances are Ivesian, with everything coming together in the end in smashing volleys of shrieking sound. It will take many hearings for the relationships of the score to assert themselves, though one can be confident that Mr. Carter, one of the most accomplished constructionists of the age, has assembled everything with pin-point logic.”

Music Played in Today's Program

Elliot Carter (1908 - 2012) Symphony for Three Orchestras New York Philharmonic; Pierre Boulez, cond. Sony 68334

On This Day

Births

• 1653 - Italian composer Arcangelo Corelli, in Fusignano (near Imola);

• 1820 - Belgian composer Henri Vieuxtemps, in Verviers;

• 1862 - English composer Edward German (Jones) in Whitechurch;

• 1887 - Finnish composer Leevi Madetoja, in Oulu (Uleaborg);

• 1920 - American composer Paul Fetler, in Philadelphia;

• 1926 - Austrian composer Friedrich Cerha, in Vienna;

• 1926 - American composer Lee Hoiby, in Madison, Wis.;

Deaths

• 1732 - French composer and organist Louis Marchand, age 63, in Paris;

• 1841 - Italian composer and guitarist Ferdinando Carulli, age 70, in Paris;

• 1924 - Finnish composer Oskar Merikanto, age 55, in Hausjärvi-Oiti;

• 1970 - American composer and conductor Alfred Newman, age 69, in Los Angeles;

• 1982 - American Jazz composer and pianist Thelonious Monk, age 64, in Englewood, N.J.;

Premieres

• 1728 - Handel: opera “Siroe, re di Persia” (Cyrus, King of Persia), in London at the King’s Theater in the Haymarket (Gregorian date: Feb. 28); This was the first Handel opera with a libretto by Metastasio;

• 1792 - Haydn: Symphony No. 93, conducted by the composer, at the Hanover-Square Concert Rooms in London;

• 1855 - Liszt: Piano Concerto No. 1 in Eb, in Weimar, with the composer as soloist and Hector Berlioz conducting;

• 1859 - Verdi: opera "Un Ballo in Maschera" (A Masked Ball), in Rome at the Teatro Apollo;

• 1889 - Franck: Symphony in d, in Paris;

• 1901 - Mahler: oratorio "Das Klagende Lied" (Song of Lamentation), in Vienna, with composer conducting;

• 1904 - Puccini: opera “Madama Butterfly,”in Milan at the Teatro alla Scala;

• 1914 - Ernst von Dohnányi: "Variations on a Nursery Song" for piano and orchestra, in Berlin, with the composer as soloist;

• 1927 - Deems Taylor: opera "The King's Henchmen," at the Metropolitan Opera in New York;

• 1943 - Copland: "Music for Movies," at a Town Hall Forum concert in New York City;

• 1947 - Copland: "Danzón Cubano" (orchestral version), by the Baltimore Symphony;

• 1948 - David Diamond: Violin Sonata No. 1, at Carnegie Hall in New York, by Joseph Szigeti (violin) and Josef Lhevinne (piano);

• 1952 - Henze: opera "Boulevard Solitude," in Hanover at the Landestheater;

• 1961 - Elie Siegmeister: Flute Concerto, in Oklahoma City;

• 1977 - Elliott Carter: "A Symphony of Three Orchestra," by the New York Philharmonic, Pierre Boulez conducting;

• 1982 - George Perle: "Ballade" for piano, at Alice Tully Hall in New York, by Richard Goode.