Nkeiru Okoye: Voices Shouting Out

Last year, a total solar eclipse was visible in parts of our country. The shared experience of an eclipse—an extraordinary moment of wonder and awe—inspired composer and pianist Clarice Assad to create a new piece for piano and orchestra. Join us today for a musical exploration of light and darkness: "Total Eclipse" by Clarice Assad.

In 2016, Craig Hella Johnson wrote an oratorio about Matthew Shepard, a young gay man from Wyoming who was murdered in a hate crime in 1998. The oratorio urges all of us to find our shared humanity—the threads that connect us—to see if love can be found even in the darkest moments. Tune in today for "Considering Matthew Shepard" by Craig Hella Johnson.

In 1944, during the height of World War II, Sergei Prokofiev composed a piece intended “…to sing the praises of the free and happy man.” It’s an optimistic work created during a time of darkness. On today's show, we'll hear the opening movement of Prokofiev’s Symphony No. 5 performed by the National Orchestral Institute (NOI) Philharmonic and conductor Joseph Young at a concert in College Park, Maryland.

It was arguably the biggest classical music event of 2025: a gala concert in Paris celebrating the 150th anniversary of the Opera Garnier venue. We'll take you there to hear the Vienna Philharmonic and pianist Yuja Wang perform the opening movement of Tchaikovsky's Piano Concerto No. 1.

The Syrian Civil War has devastated more than lives, homes, and communities. With all that has been lost, Syrian-American composer Malek Jandali feels an imperative to preserve and share traditional Syrian music. On today's show, we'll hear a piece full of traditional Syrian styles and themes: the Concerto for Clarinet and Orchestra by Malek Jandali.

In 1944, during the height of World War II, Sergei Prokofiev composed a piece intended “…to sing the praises of the free and happy man.” It’s an optimistic work created during a time of darkness. On today's show, we'll hear the opening movement of Prokofiev’s Symphony No. 5 performed by the National Orchestral Institute (NOI) Philharmonic and conductor Joseph Young at a concert in College Park, Maryland.

Nikolai Kapustin’s compositions are filled with joyful syncopations. Some listeners have referred to him as a jazz pianist; however, Kapustin stressed that he was a classically trained composer who simply loved jazz. Today’s show will feature Kapustin’s music at the intersection of classical and jazz.

Everyone responds differently to a particular musical work. A close friend of Jean Sibelius described his Symphony No. 2 as "the most broken-hearted protest against all the injustice that now threatens to deprive the sun of its light and our flowers of their scent." That was one person's interpretation. What's yours? On today's show, join us at a concert in Taipei to hear Sibelius's Symphony No. 2.

How does a renowned concert hall influence the sound of an orchestra? Listen and discover as the Vienna Philharmonic performs Brahms' magnificent Double Concerto live from Vienna's Musikverein, a venue that highlights the interaction between soloists and the orchestra. Join us today to experience the sound of the Vienna Philharmonic performing at their iconic home venue, the Musikverein.

The acoustics of a concert hall can profoundly shape the sound of an orchestra, for better or for worse. On today's program, we’ll take you to the stunning Elbphilharmonie in Hamburg to hear Tchaikovsky's Symphony No. 4, performed by the NDR Elbphilharmonie Orchestra under the direction of conductor Alan Gilbert.