Saleem Ashkar

Philip Glass's "Mad Rush" often divides listeners—is it meditative or merely repetitive? Pianist Simone Dinnerstein finds it an amazing piece that keeps her grounded in the present moment. Today’s show features her compelling performance from a recent concert at Spivey Hall, located just outside Atlanta in Morrow, Georgia.

In 1945, Austrian composer Anton Webern and his family fled Vienna. Most of Webern’s valuables, mementos, and manuscripts were placed in a lock box, which they buried in the backyard. Sixteen years later, the box was recovered with the manuscripts inside. On today's show, we'll hear one of those 'found' pieces: Im Sommerwind (In the Summer Breeze) by Anton Webern.

In 1939, four women climbers reached the summit of Wyoming’s Grand Teton at dawn, racing to be the first and to counter skepticism about their unassisted ascent. Newspapers at the time called it the first "manless" ascent of the mountain. In response, one of the women said, “To us it was just another climb.” Today's show will feature both the story and the music: "Just Another Climb" by Kimberly Osberg.

Three hundred years ago, Johann Sebastian Bach began his role as the music director at St. Thomas Church in Leipzig, a position for which he was only the third choice. To impress his uncertain employers, Bach composed ambitious new cantatas every week during his first few years, including the one we will hear today: the Sinfonia from J.S. Bach's Cantata No. 42, from a concert featuring conductor Nathalie Stutzmann and the Atlanta Symphony Orchestra.

Jazz guitarist Charlie Christian was at his peak in the late 1930s and early 40s. To this day, guitarists are inspired by his recordings, and composer Igor Stravinsky said Charlie Christian helped inspire one of his pieces. We'll hear that piece, Stravinsky's Ebony Concerto, on today's show.

When conductor Marin Alsop was a kid, she begged her parents to decorate her bedroom. She says, "I talked them into buying me two posters: one of the Beatles and one of Leonard Bernstein." Join us today to hear some of Marin Alsop's memories of Bernstein and more as we celebrate Independence Day with all-American music.

Earlier this year, we announced that Jessie Montgomery is our 2025 PT Classical Woman of the Year. Montgomery is a celebrated composer, violinist, and educator known for compositions that blend classical, folk, jazz, and contemporary influences. Among her numerous accomplishments, she founded the Young Composers Initiative, where she mentors high school composers, assisting them in preparing their music for performance by members of the Civic Orchestra of Chicago. Tune in today to learn more about Jessie Montgomery and why her work is so influential.

Jazz guitarist Charlie Christian was at his peak in the late 1930s and early 40s. To this day, guitarists are inspired by his recordings, and composer Igor Stravinsky said Charlie Christian helped inspire one of his pieces. We'll hear that piece, Stravinsky's Ebony Concerto, on today's show.

Last year, a total solar eclipse was visible in parts of our country. The shared experience of an eclipse—an extraordinary moment of wonder and awe—inspired composer and pianist Clarice Assad to create a new piece for piano and orchestra. Join us today for a musical exploration of light and darkness: "Total Eclipse" by Clarice Assad.

In 2016, Craig Hella Johnson wrote an oratorio about Matthew Shepard, a young gay man from Wyoming who was murdered in a hate crime in 1998. The oratorio urges all of us to find our shared humanity—the threads that connect us—to see if love can be found even in the darkest moments. Tune in today for "Considering Matthew Shepard" by Craig Hella Johnson.