Synopsis
On today’s date in 1928, Kurt Weill’s “Three Penny Opera,” whose cast members portrayed thieves, murderers, and sex workers, debuted at the Theater am Schiffbauerdamm in Berlin.
“The Three-Penny Opera” was a 20th century updating of a satirical 18th century British ballad-opera by John Gay, titled “The Beggar’s Opera.” A new German text was provided by playwright Bertolt Brecht and Kurt Weill provided a jazzy score.
“The Three Penny Opera” was a smash success in Berlin, and within a year was taken up by theaters all over Europe. But in 1933, when the Nazis came to power in Germany, all performances of “The Three Penny Opera” were banned, since Kurt Weill was Jewish, and Bertolt Brecht a communist sympathizer.
Just as “The Three Penny Opera” was being banned in Germany, its 1933 American premiere in New York was a flop, and the show closed after only a dozen performances. It wasn’t until 1952 that it was successfully revived in America. With a new English translation by the American composer Marc Bliztstein, the “Three Penny Opera” was reintroduced by Leonard Bernstein at a Music Festival at Brandeis University, and in 1954 reopened off -roadway in Greenwich Village to sold-out houses and rave reviews.
Music Played in Today's Program
Kurt Weill (1900 - 1950) Three Penny Opera Suite Canadian Chamber Ensemble; Raffi Armenian, cond. CBC 5010
On This Day
Births
1834 - Italian opera composer Amilcare Ponchielli, in Paderno Fasolaro, Cremona;
Premieres
1928 - Kurt Weill: "Die Dreigroschenoper" (The Threepenny Opera) in Berlin at the Theater am Schiffbauerdamm, to a libretto by German poet and playwright Bertolt Brecht
1970 - Birtwistle: "Verses for Ensembles," in London;
2000 - Philip Glass: opera "In the Penal Colony" (based on a story by Franz Kafka), by A Contemporary Theatre (ACT) in Seattle.
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About Composers Datebook®
Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.
He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.