Vaughan Williams' Symphony No. 5

Synopsis

In wartime London, on today’s date in 1943, a Promenade Concert featured the first performance of Ralph Vaughan Williams’ Symphony No. 5. The composer conducted the London Philharmonic Orchestra.

Queen’s Hall, the traditional home of the annual summertime Proms concerts, had been destroyed by German bombers two years earlier. The Proms concerts had moved into a new and larger venue, the Royal Albert Hall, where the series continues to this day.

For the 1943 season, Proms programs started earlier than usual so concert goers could get home before the nightly air raids on the city. To London audiences troubled by war fears and many sleepless nights of German bombing, the serene musical world of Vaughan Williams’ symphony must have seemed a real blessing. It’s not a “wartime” symphony in the conventional sense, full of defiance and bluster, but rather an evocation and affirmation of England’s musical past, blending hints of 16th century hymn tunes and modal folk melodies into symphonic form.

For some time, Vaughan Williams had been at work on an opera based on The Pilgrim’s Progress, a 17th century allegorical tale by the Puritan writer John Bunyan. Some of the tunes and motives from his projected opera ended up in the symphony, along with a sense of faith and optimism in the face of adversity that must have deeply affected the first audience to hear the work.

Music Played in Today's Program

Ralph Vaughan Williams (1872-1958): Symphony No. 5; London Philharmonic; Bernard Haitink, conductor; EMI 55487

On This Day

Births

• 1901 - American composer, performer and instrument inventor Harry Partch, in Oakland, California

• 1908 - German composer and organist Hugo Distler, in Nuremberg

• 1935 - American composer and performer Terry Riley, in Colfax, California

Deaths

• 1882 - German composer Josef Joachim Raff, 60, in Frankfurt, during the night of June 24/25

Premieres

• 1854 - Schubert: opera "Alfonso and Estrella," posthumously, in Weimar, with Franz Liszt conducting; Schubert composed this opera in 1822;

• 1935 - R. Strauss: opera Die Schweigsame Frau (The Silent Woman, after the play by Ben Jonson), in Dresden, conducted by Karl Boehm, and with vocal soloists Maria Cebotari (Aminta), Friedrich Plaschke (Sir Morosus), Matthieu Ahlersmeyer (The Barber), and Martin Kremer (Henry Morosus)

• 1943 - Vaughan Williams: Symphony No. 5, at a Promenade Concert at Royal Albert Hall, with the London Philharmonic conducted by the composer