Inspired by the buzzy resonance of the ennanga (African trough zither), William Grant Still incorporated the spirit of Central and East African folk music into a Western chamber setting. Still drew on the instrument’s unique character as inspiration for this piece for harp, piano, and strings. Join us today to hear harpist Lily Primus lead Rice University’s Shepherd School Chamber Players in a concert performance of William Grant Still’s ‘Ennanga.’
Episode Playlist
Hour 1
Viet Cuong: Room to Move
Inbal Segev, cello
Album: 20 for 2020 Volume 2
Avie 2463
Arturo Márquez, arr. Marquez: Danzon No. 2
Anne Akiko Meyers, violin | Fabio Bidini, piano
Community Arts Music Association, Lobero Theater, Santa Barbara, CA
Viet Cuong: Flora: Mvts. 1 & 3
WindSync
Lillian & Robert Utsey Chamber Music Series, Brooks Center for the Performing Arts, Clemson, SC
Camille Saint-Saens: Cello Concerto No. 1 in A minor, Op. 33
Ettore Pagano, cello | RAI National Symphony Orchestra | Andres Orozco-Estrada, conductor
EBU, Arturo Toscanini RAI Auditorium, Turin, Italy
Hour 2
William Grant Still: Summerland
Jean DeMart, flute | Ann Hobson Pilot, harp | Lydia Forbes, violin | George Taylor, viola | Mark Churchill, cello
Album: Works by William Grant Still
New World Records 80399
Daron Hagen: City of Light
Buffalo Philharmonic Orchestra | JoAnn Falletta, conductor
Kleinhans Music Hall, Buffalo, NY
William Grant Still: Ennanga
Lily Primus, harp | Ethan Ford, piano | Marina Ziegler, violin | Ashni Budge, violin | Zoey Ma, viola | Tatum Hodgson, cello
Shepherd School of Music at Rice University, Brockman Hall for Opera, Houston, TX
Claude Bolling: Suite for Flute & Jazz Trio No. 2: Mvt. 4
Carol Wincenc, flute | James VanDemark, double bass | Bernadene Blaha, piano | Todd Meehan, percussion
Round Top Festival Institute, Festival Concert Hall, Round Top, TX
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