Holst and Hammersmith

Synopsis

British composer Gustav Holst lived and worked in a West London neighborhood called Hammersmith for many years — and in 1930, Holst gave that name to a work for wind band he wrote on commission from the BBC.

Hammersmith opens with a prelude representing the river Thames, which, Holst said, “goes on its way unnoticed and unconcerned.” A scherzo section represents the hustle and bustle of Hammersmith’s market, exemplified, according to Holst’s daughter, by a large woman at a fruit stand who always called her father “dearie” when he bought oranges for their Sunday picnics.

In 1931, Hammersmith was first performed in England in the composer’s orchestral arrangement by the BBC Symphony led by Adrian Boult — and the piece was booed. Holst’s bad luck continued the following year: He was scheduled to conduct the premiere of the band version of Hammersmith on today’s date at the 1932 American Bandmasters Association Convention in Washington, D.C., but had to cancel his trip due to illness. The D.C. premiere took place as scheduled, but with the U.S. Marine Band led by Taylor Branson, rather than the composer.

For the next 22 years, the original wind band version of Hammersmith remained neglected until Robert Cantrick and the Carnegie Institute of Technology Kiltie Band in Pittsburgh gave what they thought was its world premiere performance in 1954. It seems even Holst’s publisher had forgotten all about its 1932 American premiere.

Music Played in Today's Program

Gustav Holst (1874-1934): Hammersmith; Dallas Wind Symphony; Howard Dunn, conductor; Reference Recordings 39

On This Day

Births

• 1683 - German composer Johann David Heinichen, in Krüssuln

• 1774 - Bohemian composer Jan Václav Tomášek (Johann Wenzel Tomaschek), in Skutec

• 1897 - Norwegian composer Harald Saeverud, in Bergen

Deaths

• 1790 - American statesman, scientist, amateur musician and composer Benjamin Franklin, 84, in Philadelphia

• 2002 - Canadian composer and conductor Srul Irving Glick, 67, in Toronto

Premieres

• 1918 - Prokofiev: Piano Sonata No. 4 and Two Sonatinas, in Petrograd, by the composer

• 1941 - Edward Joseph Collins: Lament and Jig for orchestra, by the Chicago Symphony, Frederick Stock conducting

• 1964 - Rozsa: Notturno Ungherese, by the Philadelphia Orchestra, Eugene Ormandy conducting

• 1965 - Stravinsky: Variations (Aldous Huxley in memoriam) and Introitus (T.S. Eliot in memoriam) in Chicago, conducted by Robert Craft

• 1998 - Libby Larsen: Songs of Light and Love (poems by May Sarton), in Philadelphia, by soprano Benita Valente and the Network for New Music

• 2003 - Gubaidulina: The Light of the End for orchestra, by the Boston Symphony, with Kurt Masur conducting

Others

• 1833 - American premiere of Mozart’s opera The Magic Flute (sung in English), at the Park Theatre in New York City;

• 1849 - Gottschalk’s formal debut at the Salle Pleyel in Paris (he had had performed his first recital there on April 2, 1845, with Chopin in the audience). He performs some of his own compositions and is hailed as the first authentic composer of the New World.

• 1906 - On tour in San Francisco with the Metropolitan Opera touring company, the great Italian tenor Enrico Caruso sings a performace of Bizet’s Carmen the day before the Great San Francisco Earthquake