Poster Scott Joplin
Scott Joplin's first dream was to be a classical pianist, something that was not a reality for a young black man in Texarkana before the turn of the century.
scottjoplin.org
Rhapsody in Black

Scott Joplin brought American music into the 20th century

Rhapsody in Black - Scott Joplin
DOWNLOAD

Scott Joplin was born just a few years after the end of the Civil War. His father was a formerly enslaved man from North Carolina and his mother was a freeborn woman from Kentucky. The family moved to Texarcana, on the border of Texas and Arkansas, when he was a child.

Joplin was naturally gifted in music, and eventually settled in Sedalia, Missouri and attended music college there. He started writing and publishing piano rags in 1896.

Ragtime music developed from African American work songs, gospel songs and dance. In 1899, he published The Maple Leaf Rag, named after the Maple Leaf Social Club for Black men, which opened in Sedalia a year earlier. It was his most successful Rag during his lifetime

He wrote around 50 “rags” in his lifetime. They continue to be his best-known works and earned him the title of the “King of Ragtime Writers.”  

Pianist Lara Downes recently Reimagined Joplin on a recording titled Reflections: Scott Joplin Reconsidered. Downes says that Joplin was an “innovator who really brought American music into the 20th century, who came out of a 19th century tradition both in European music and American music. Without [his] music, our 20th century music doesn't exist.”

Joplin also composed in other styles, including opera. When he moved to New York in 1907 he began working on Tremonisha, an opera set after the Civil War in his former home of Texarcana. At the time, it was virtually impossible for Joplin to get his opera produced, so he ended up playing all the music from the score for a concert production in Harlem.  

Depression and illness led to Joplin’s death in 1917.  Joplin was 48 years old and his grave was left unmarked until the movie The Sting won Best Picture at the Oscars in 1974. The soundtrack featured Joplin’s ragtime music.

Tremonisha was finally given a complete performance with the Atlanta Symphony under Robert Shaw in 1972.  

Joplin’s life was a struggle, but he and his music opened the door for many other Black musicians and artists to make their way in a racially segregated nation. 

Love the music?

Donate by phone
1-800-562-8440

Show your support by making a gift to YourClassical.

Each day, we’re here for you with thoughtful streams that set the tone for your day – not to mention the stories and programs that inspire you to new discovery and help you explore the music you love.

YourClassical is available for free, because we are listener-supported public media. Take a moment to make your gift today.

More Ways to Give

Your Donation

$5/month
$10/month
$15/month
$20/month
$

Latest Rhapsody in Black Episodes

VIEW ALL EPISODES

Latest Rhapsody in Black Episodes

Julius Eastman composed music that challenged oppressive stereotypes

Julius Eastman composed music that challenged oppressive stereotypes

Composer and pianist Julius Eastman’s personal philosophy was ‘to be what I am to the fullest.’ A graduate of the Curtis Institute, his music was highly acclaimed and challenged racist and homophobic stereotypes. Find out more in the ‘Rhapsody in Black’ podcast.

5:00
Meet Vernon Neal, the host of 'Rhapsody in Black'
Clarinetist Anthony McGill promotes connection, equality and justice

Clarinetist Anthony McGill promotes connection, equality and justice

Anthony McGill is the principal clarinetist of the New York Philharmonic, the first Black musician to hold a principal chair in the orchestra’s history. He has used the platform to promote racial equity in classical music. Find out more on the ‘Rhapsody in Black’ podcast.

5:00
Violinist Randall Goosby enjoys meteoric rise but remains grounded
5:00
 Violinist George Bridgetower left his mark on Beethoven
5:00
Afro-Brazilian guitarist Plinio Fernandes uses unique style to inspire and teach new generations
5:00
Duke Ellington's 'Black, Brown and Beige' fuses jazz with classical orchestration

Duke Ellington's 'Black, Brown and Beige' fuses jazz with classical orchestration

Duke Ellington once said, “All arrangements of historic American Negro music have been made by conservatory-trained musicians who inevitably handle it with a European technique. It’s time a big piece of music was written from the inside.” That piece of music was ‘Black, Brown and Beige.’ Find out more in the ‘Rhapsody in Black’ podcast.

5:00
Cassie Kinoshi creates vibrant musical landscapes

Cassie Kinoshi creates vibrant musical landscapes

Cassie Kinoshi has taken on the role of musical mad scientist by mixing together Black American jazz, West African and Caribbean rhythms, and Western classical music in a process of compositional nuclear fusion. Find out more in the 'Rhapsody in Black' podcast.

5:00
Black Violin mixes hip-hop and classical to create an unabashedly Black sound
5:00
Andre 3000 is a musician who never stops exploring

Andre 3000 is a musician who never stops exploring

Hip-hop artist and composer André 3000 released his latest album, ‘New Blue Sun,’ in 2023. The album revolves around compositions with wind instruments and is a result of his need to explore the many influences around him, both jazz and classical. Find out more in the 'Rhapsody in Black' podcast.

5:00
VIEW ALL EPISODES

About Rhapsody in Black

Where we turn up the voices of Black artists in the world of classical music, with host Vernon Neal.

Subscribe to the podcast:  Apple Podcasts | Spotify | Amazon Music | TuneIn | RSS Feed

About Rhapsody in Black
YourClassical Radio
00:00
Infinity:NaN