Requiem for the Enslaved

‘Performance Today’ has selected performing-arts advocate Deborah Borda as the 2024 Classical Woman of the Year. This annual award recognizes women who have made significant contributions to the classical music art form and have inspired our listeners. Find out more!

In 1935, William Grant Still wrote a musical picture of the journey of a human spirit after death. It's a suite for piano called Three Visions. On today's show, we'll hear pianist Andrew Armstrong play Still's suite at a concert presented by the Seattle Chamber Music Society.

When clarinetist Anthony McGill and pianist Gloria Chien met in 2006, they bonded over their love of Johannes Brahms's music, a bond that can be felt when they play together. They'll play a clarinet sonata by Brahms for us on today's show.

Pianist Inon Barnatan keeps busy as a musician, playing on the most prestigious stages around the world. He's also the Music Director of Summerfest La Jolla in California. On today's show, we'll hear a stunning performance at a stunning location—Inon Barnatan, violinist Augustin Hadelich, and cellist Efe Baltacigil play the Piano Trio by Maurice Ravel at Summerfest La Jolla.

Composer James Stephenson imagined what might have happened before Aaron Copland's iconic Appalachian Spring. Stephenson turned to the myth of Persephone as his inspiration and created a musical journey into the underworld and back. We'll hear the world premiere of James Stephenson's Persephone on today's show.

Simply put, Dora Pejačević was a trailblazer. She became the first Croatian composer to write a concerto in 1913. Then, while serving as a nurse in World War One, she wrote what is considered to be the first modern symphony in Croatian music. On today's show, we'll hear Pejačević's Piano Quartet in D minor from a concert presented by the Society for Chamber Music in Rochester, New York.

Violinist Leila Josefowicz has forged a tremendous career specializing in 20th and 21st-century music. At times, Josefowicz has faced reluctance or resistance from what she sees as the somewhat stodgy traditions in some parts of the classical music world. Still, she believes that the greatest music happens when one overcomes fear and pushes the traditional boundaries.  On today's show, Leila Josefowicz plays Stravinsky's Violin Concerto in D Major, backed by conductor Donald Runnicles and the Grand Teton Festival Orchestra.

It can be a delicate moment when an orchestra names a new music director—orchestras can be a little cool toward new conductors. The Charlotte Symphony has stepped up and welcomed its Music Director Designate with a party atmosphere. We'll hear the fruits of this new partnership on today's show: Kwamé Ryan leads the Charlotte Symphony in a hometown performance.

When deadlines are tight and work is stressful, the baby also starts crying, but for composer Valerie Coleman, her newborn's need for comfort created "unexpected serenity." On this episode of PT, we'll hear a trio written with a baby in one hand and a pen in the other: Rubispheres by Valerie Coleman.

Violinist Leila Josefowicz has forged a tremendous career specializing in 20th and 21st-century music. At times, Josefowicz has faced reluctance or resistance from what she sees as the somewhat stodgy traditions in some parts of the classical music world. Still, she believes that the greatest music happens when one overcomes fear and pushes the traditional boundaries.  On today's show, Leila Josefowicz plays Stravinsky's Violin Concerto in D Major, backed by conductor Donald Runnicles and the Grand Teton Festival Orchestra.