A Tone Parallel to Harlem

When conductor Marin Alsop was a kid, she begged her parents to decorate her bedroom. She says, "I talked them into buying me two posters: one of the Beatles and one of Leonard Bernstein." Join us today to hear some of Marin Alsop's memories of Bernstein and more as we celebrate Independence Day with all-American music.

Earlier this year, we announced that Jessie Montgomery is our 2025 PT Classical Woman of the Year. Montgomery is a celebrated composer, violinist, and educator known for compositions that blend classical, folk, jazz, and contemporary influences. Among her numerous accomplishments, she founded the Young Composers Initiative, where she mentors high school composers, assisting them in preparing their music for performance by members of the Civic Orchestra of Chicago. Tune in today to learn more about Jessie Montgomery and why her work is so influential.

Jazz guitarist Charlie Christian was at his peak in the late 1930s and early 40s. To this day, guitarists are inspired by his recordings, and composer Igor Stravinsky said Charlie Christian helped inspire one of his pieces. We'll hear that piece, Stravinsky's Ebony Concerto, on today's show.

Last year, a total solar eclipse was visible in parts of our country. The shared experience of an eclipse—an extraordinary moment of wonder and awe—inspired composer and pianist Clarice Assad to create a new piece for piano and orchestra. Join us today for a musical exploration of light and darkness: "Total Eclipse" by Clarice Assad.

In 2016, Craig Hella Johnson wrote an oratorio about Matthew Shepard, a young gay man from Wyoming who was murdered in a hate crime in 1998. The oratorio urges all of us to find our shared humanity—the threads that connect us—to see if love can be found even in the darkest moments. Tune in today for "Considering Matthew Shepard" by Craig Hella Johnson.

In 1944, during the height of World War II, Sergei Prokofiev composed a piece intended “…to sing the praises of the free and happy man.” It’s an optimistic work created during a time of darkness. On today's show, we'll hear the opening movement of Prokofiev’s Symphony No. 5 performed by the National Orchestral Institute (NOI) Philharmonic and conductor Joseph Young at a concert in College Park, Maryland.

It was arguably the biggest classical music event of 2025: a gala concert in Paris celebrating the 150th anniversary of the Opera Garnier venue. We'll take you there to hear the Vienna Philharmonic and pianist Yuja Wang perform the opening movement of Tchaikovsky's Piano Concerto No. 1.

The Syrian Civil War has devastated more than lives, homes, and communities. With all that has been lost, Syrian-American composer Malek Jandali feels an imperative to preserve and share traditional Syrian music. On today's show, we'll hear a piece full of traditional Syrian styles and themes: the Concerto for Clarinet and Orchestra by Malek Jandali.

In 1944, during the height of World War II, Sergei Prokofiev composed a piece intended “…to sing the praises of the free and happy man.” It’s an optimistic work created during a time of darkness. On today's show, we'll hear the opening movement of Prokofiev’s Symphony No. 5 performed by the National Orchestral Institute (NOI) Philharmonic and conductor Joseph Young at a concert in College Park, Maryland.

Nikolai Kapustin’s compositions are filled with joyful syncopations. Some listeners have referred to him as a jazz pianist; however, Kapustin stressed that he was a classically trained composer who simply loved jazz. Today’s show will feature Kapustin’s music at the intersection of classical and jazz.