Composers Datebook®

Lully and Moliere send in the clowns

Composer's Datebook - Oct. 14, 2022
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Synopsis

To most music lovers, the name Jean-Baptise Lully calls to mind pompous and courtly music for Louis XIV, the French “Sun King” who was his great patron. The Italian-born Lully is credited with “creating” French opera in the 17th century — and some of these works, usually based on subjects from classical mythology and poetry, are occasionally revived and recorded today.

But that was only one side of Lully’s personality, the “stuffy and serious” side, because Lully was also something of a clown — literally.

For over seven years, he worked with the great French comedian and playwright Moliere to create joint stage works. In addition to composing the music, Lully acted, sang and danced in these satirical and slap-stick affairs. The most famous of the Lully-Moliere collaborations debuted on today’s date in 1670, when, to cheer up King Louis after an embarrassing incident involving a bogus ambassador from Turkey, Lully and Moliere concocted a ballet spoof they called Le Turc Ridicule, preceded by a musical play about a wealthy upstart from the middle class, titled Le Bourgeois Gentilhomme.

Lully played the role of the Grand Mufti, and Moliere the middle-class upstart with upper-class aspirations. Think of Abbot and Costello or Laurel and Hardy in powdered wigs, and you get the idea.

Music Played in Today's Program

Jean-Baptiste Lully (1632-1687) Le Bourgeois Gentilhomme Comedy-Ballet Le Concert des Nations; Jordi Savall, cond. Alia Vox 9807

On This Day

Births

  • 1871 - Austrian composer and conductor Alexander Zemlinsky, in Vienna;

  • 1935 - American composer La Monte (Thorton) Young, in Bern, Idaho;

  • 1952 - Finnish composer Kaija Saariaho, in Helsinki;

Deaths

  • 1990 - American composer and conductor Leonard Bernstein, age 72, in New York City;

Premieres

  • 1670 - Lully: comedy-ballet, "Le Bourgeois Gentilhomme" (to a text by Molière), at the Château de Chambord;

  • 1883 - Dvorák: Violin Concerto, Op. 53, in Prague;

  • 1924 - Schoenberg: opera "Die glückliche Hand" (The Fateful Hand), in Vienna at the Volksoper;

  • 1930 - Gershwin: musical "Girl Crazy," at the Alvin Theater in New York City; This show includes the classic Gershwin songs "Embraceable You" and "I Got Rhythm";

  • 1956 - Hovhaness: Symphony No. 3, by the Symphony of the Air, Leopold Stokowski conducting;

  • 1960 - Piston: Violin Concerto No. 2, by the Pittsburgh Symphony, William Steinberg conducting, with soloist Joseph Fuchs;

  • 1970 - Lutoslawski: Cello Concerto, in London, by the Bournemouth Symphony conducted by Edward Downes, with Mstislav Rostropovich the soloist;

  • 1971 - Argento: opera "Postcard from Morocco," by the Center Opera at the Cedar Village Theater, in Minneapolis, Minn.;

  • 1995 - George Tsontakis: "The Dove Descending" (No. 3 of "Four Symphonic Quartets" after poems by T.S. Eliot), by the Pasadena Symphony, Jorge Mester conducting;

  • 1999 - Peter Lieberson: Piano Concerto No. 2 ("Red Garuda") by soloist Peter Serkin with the Boston Symphony, Seiji Ozawa conducting;

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Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.

He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.

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