Bach and Hoover "double their pleasure, double their fun"

Synopsis

In the age of the Baroque, Double Concertos were quite common: there were concertos written for two flutes, two trumpets, or, like the famous concerto by J.S. Bach, for two violins. These Double Concertos represented a civilized give-and-take between the two soloists, a sense of balance or decorum perhaps typical of 18th century society in general. In the 19th century, however, the concept of the solitary artist as hero — or rebel — helped make the virtuosic solo concerto much more typical of the Romantic age.

In our time, the Double Concerto occasionally makes a civilized comeback, and, on today’s date in 1989, one for two violins was premiered in Pittsburgh, Kansas. It’s by the American composer Katherine Hoover, who offered this explanation:

“When two violinists get together to perform with an orchestra, its usually a friendly celebration, a chance for colleagues who value each other’s talents and skills to enjoy making music together… So I began to think: If I were one of the players, I would want the piece to be grateful and warm, with lyricism and a sense of playfulness. This is what I have attempted to write.”

Katherine Hoover’s 1989 Double Concerto was commissioned and premiered by the Southeastern Kansas Orchestra.

Music Played in Today's Program

J.S. Bach (1685-1750): Double Concerto in d, S. 1043 –Vladimir Spivakov, Arkady Futer, violins; Moscow Virtuosi; Vladimir Spivakov, cond. (RCA 7991)

Katherine Hoover (1937-2018): Double Concerto –David Perry, Suzanne Beia, violins; Wisconsin Philomusic; Vartan Manoogian, cond. (Parnasus 96019)

On This Day

Births

• 1914 - Polish composer and conductor Andrzej Panufnik, in Warsaw;

• 1919 - Czech-born American composer Vaclav Nelhybel, in Polanska;

• 1945 - English composer and conductor John Rutter, in London;

Deaths

• 1813 - Belgian-born French composer André Grétry, age 72, in Montmorency;

• 1892 - Irish-born American bandmaster and composer Patrick Gilmore, age 62, in St. Louis;

Premieres

• 1909 - Rimsky-Korsakov: opera "The Golden Cockerel," posthumously, in Moscow (Gregorian date: Oct. 7);

• 1962 - Barber: Piano Concerto, with soloist John Browning and the Boston Symphony conducted by Erich Leinsdorf; This performance was the second concert scheduled at the newly-opened "Philharmonic Hall" (now Avery Fisher Hall) at Lincoln Center in New York City;

• 1965 - George Rochberg: "Black Sounds" for winds and percussion, on a "Lincoln Center" television broadcast (as a ballet by Anna Sokolov under the title "The Act");

• 1992 - Tobias Picker: "Bang!" by the New York Philharmonic, Kurt Masur onducting (A New York Philharmonic 150th Anniversary commission);

• 1994 - Zwilich: "American" Concerto for trumpet and orchestra, at the inaugural concert of the California Center for the Arts in Escondido, by the San Diego Symphony, JoAnn Faletta conducting, with soloist Doc Severinson;

Others

• 1947 - German-born composer Hans Eisler is questioned about his former membership in the Communist Party by the House Committee on Un-American activities; Eisler had been a member of the Party in the 1920s, left Germany when Hitler came to power in 1933, and had been working in Hollywood on film scores and as the musical assistant to Charlie Chaplin; He left the U.S. in 1948 and settled in East Germany - where he composed that country's national anthem.