Ron Nelson's Bach Tribute

Synopsis

One of the most serious — and daunting — of musical forms is the passacaglia, in which an unchanging melodic pattern repeats itself while other lines of melody offer elaboration and counterpoint to the unwavering tread of the repeated motive. The result tends to be deliberate, somber and imposing. The most famous passacaglia in all of Western classical music is the Passacaglia and Fugue for organ by Johann Sebastian Bach, whose birthday we observe on today’s date.

After Bach’s high-water mark, it takes more than a little courage for modern composers to tackle this form. One of those brave souls who tried — and succeeded — was American composer Ron Nelson.

Nelson’s Passacaglia, subtitled Homage on B-A-C-H, utilizes the melodic motive represented in German musical nomenclature by B-flat, A, C, and B natural — in German B natural being represented by the letter H. Nelson’s wind band Passacaglia was was commissioned to celebrate the 125th anniversary of Cincinnati College-Conservatory of Music in 1992. It didn’t prove an easy task, recalled Nelson: “It evolved very slowly … The trick was … to make it seamless and inexorable. Of all my compositions, this is the tightest. I cannot imagine changing one note.”

Music Played in Today's Program

Ron Nelson (1929-2023): Passacaglia; Dallas Wind Symphony; Ron Nelson, conductor; Reference Recordings RR-76

On This Day

Births

• 1685 - German composer and organist Johann Sebastian Bach, in Eisenach

• 1839 - Russian composer Modest Mussorgsky, in Karevo, Pskov district (Julian date: March 9)

Deaths

• 1934 - German composer Franz Schreker, 55, in Berlin

• 1936 - Russian composer Alexander Glazunov, 70, in Neuilly-sur-Seine, France

Premieres

• 1826 - Beethoven: String Quartet No. 13, in Vienna, by the Schuppanzigh Quartet

• 1839 - Schubert: Great Symphony (old No. 9, now No. 7), in a posthumous, heavily cut premiere performance by the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn

• 1860 - Brahms: Ballads Nos. 2-3 for piano, in Vienna

• 1904 - R. Strauss: Sinfonia Domestica, at Carnegie Hall in New York, with Strauss conducting

• 1918 - Stravinsky: Ragtime for Eleven Instruments, in Morges

• 1925 - Ravel: opera L’enfant et les Sortiléges (The Child and the Spells), in Monte Carlo at the Grand Théatre

• 1971 - William Mayer: Octagon for piano and orchestra, in New York City, by the American Symphony Orchestra, Leopold Stokowski conducting, with William Masselos, piano

• 1972 - David Amram: Bassoon Concerto, in Washington, D.C., by the National Symphony, Antal Dorati conducting, with Kenneth Pasmanick the soloist