I Will Not Remain Silent

In 1940, Paul Hindemith composed a piece of music based on themes Carl Maria von Weber wrote more than a century earlier. He kept Weber's basic ideas intact but added some inventive 20th-century twists. Hear that piece on today's show: Paul Hindemith's ‘Symphonic Metamorphosis on Themes of Carl Maria von Weber,’ from a concert in Taipei, Taiwan.

We often hear Samuel Barber's Adagio as a standalone piece for string orchestra, but it began as the slow movement of a string quartet. Alone, the Adagio feels simple, profound, and somehow more poignant in the context of the full quartet. Hear the Viano String Quartet perform Barber's Adagio at a concert presented by Music@Menlo in Menlo Park, California.

In 2016, pianist and composer Gabriela Montero wrote a concerto that reflects how people perceive Latin America. She says it's not overtly political, but it does express the light and dark sides of the subject. Today, we'll hear Gabriela Montero perform her “Latin Concerto” at a recent concert in Gstaad, Switzerland.

We're excited to introduce our first 2026 PT Young Artist in Residence: Pianist Sean Terada Yang. In today's episode, Sean joins Valerie Kahler for music and conversation at our studio in Saint Paul.

Drawing inspiration from the Greek myth of Persephone, composer James Stephenson imagined a musical prequel to Aaron Copland's Appalachian Spring. Weaving in a subtle three-note motif and harmonic nods directly borrowed from Copland's masterpiece, Stephenson's work takes listeners on a journey from springtime fields to the realm of Hades and back. On today's program, conductor Delyana Lazarova leads members of ROCO, Houston's chamber orchestra, in the world premiere performance of James Stephenson’s Persephone.

The Syrian Civil War has devastated more than lives, homes, and communities. With all that has been lost, Syrian-American composer Malek Jandali feels an imperative to preserve and share traditional Syrian music. On today's show, we'll hear a piece full of traditional Syrian styles and themes: Malek Jandali's Concerto for Clarinet and Orchestra.

We often hear Samuel Barber's Adagio as a standalone piece for string orchestra, but it began as the slow movement of a string quartet. Alone, the Adagio feels simple, profound, and somehow more poignant in the context of the full quartet. Hear the Viano String Quartet perform Barber's Adagio at a concert presented by Music@Menlo in Menlo Park, California.

Australian guitar-playing brothers Ziggy and Miles Johnston skipped competing against each other in music competitions, choosing instead to become a package deal. When one was offered a solo gig, they would ask, "Do you want a duo instead?" They now perform exclusively together. We'll hear Ziggy and Miles bring their collaborative spirit to their arrangement of Claude Debussy's Suite Bergamasque on today's show.

After Wolfgang Amadeus Mozart premiered his Quintet for Piano and Winds in 1784, he said it was the best thing he had ever written. Scored for the unusual combination of piano, oboe, clarinet, bassoon, and horn, this inventive work remains a popular gem in the chamber repertoire. Join us today to hear Mozart's Quintet for Piano and Winds performed live in Atlanta by the Georgian Chamber Players.

In 1924, Maurice Ravel drew on the rhythms and flair of the Hungarian Roma people to create one of the most demanding showcases in the violin repertoire. Written for virtuoso Jelly d’Arányi—who famously mastered the complex score just days before the premiere—the work demands all of the technical skill a violinist can muster. On today's show, Conductor Matthias Pintscher leads the Aspen Chamber Symphony with soloist Blake Pouliot in a recent performance of Maurice Ravel’s Tzigane.