Composers Datebook®

Schoenberg and Strauss in the E.R.?

Composers Datebook for July 13, 2015

Synopsis

In 1949, while on his deathbed, the German composer Richard Strauss supposedly turned to his beloved daughter-in-law, and said: “Funny thing, Alice. Dying is just the way I composed it in ‘Death and Transfiguration.” Strauss was referring to a tone-poem he had written some 60 years earlier, when he himself was in the pink of health.

“Death and Transfiguration” was a musical depiction of an artist on his deathbed, reviewing his life in art between bouts of an eventually fatal fever.

On today’s date in 1951, the Austrian composer Arnold Schoenberg was on HIS deathbed in Los Angeles, on a Friday the 13th, in fact. Now, as most music lovers know, Schoenberg had a “thing” about numbers. He developed an atonal “12-tone” style of composition, and assigned a mystical, quasi-religious significance to numbers in general and musical mathematics in particular.

We’re not sure if, before he departed, Schoenberg turned to someone he loved and said: “Funny thing: I’m dying on Friday the 13th at the age of 76, which, numerically speaking, is 7+6, or 13, don’t you see... ”

We are sure, though, that in 1946, after suffering a near-fatal heart attack, Schoenberg wrote this String Trio. He told his friend Thomas Mann it was a musical representation of both that coronary incident and its subsequent medical treatment. Schoenberg even claimed at one point his Trio depicted the penetration of a hypodermic needle!

Music Played in Today's Program

Richard Strauss (1864 – 1949) Death and Transfiguration Berlin Philharmonic; Herbert von Karajan, cond. DG 447 422

Arnold Schoenberg (1874 – 1951) String Trio, Op. 45 Members of the Juilliard String Quartet Sony 47690

On This Day

Births

  • 1932 - Danish composer Per Norgaard, in Gentofte (near Copenhagen);

Deaths

  • 1951 - Austrian composer Arnold Schoenberg, in Los Angeles, on a Friday the 13th; He was superstitiously obsessed with the number 13 and, ironically, was 76 years old at the time of his death (7+6 = 13)

Premieres

  • 1829 - Mendelssohn: Double Concerto (in e) for two pianos and orchestra, in London at a benefit concert, with the composer and Ignaz Moscheles as the soloists

  • 1995 - Corigliano: "Soliloquy" for clarinet and string quartet, in Portland, Oregon, by Chamber Music Northwest

Others

  • 1937 - The first Pan-American Chamber Music Festival is held in Mexico City

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Latest Composers Datebook® Episodes

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Latest Composers Datebook® Episodes

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The long and the short of it

Richard Strauss (1864-1949): ‘Der Rosenkavalier: Suite’; New York Philharmonic; Lorin Maazel, conductor; DG 7890 Anton Webern (1883-1945): No. 4, from ‘Five Pieces for Orchestra’; Ensemble InterContemporain; Pierre Boulez, conductor; DG 437786 Morton Feldman (1926-1987): ‘For Philip Guston’; The California EAR Unit; Bridge 9078

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Sallinen and Kronos

Wolfgang Amadeus Mozart (1756-1791): String Quartet No. 17 (‘Quartetto Italiano’); Philips 422 512 Aulis Sallinen (b. 1935): String Quartet No. 5 (‘Pieces of Mosaic’); Sibelius Quartet; Ondine 831

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Water music by Handel and Larsen

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Bernstein's sabbatical psalms

Giuseppe Verdi (1913-1901): ‘Act III excerpt,’ from ‘Falstaff’; soloists; Vienna Philharmonic; Leonard Bernstein, conductor; CBS/Sony 42535 Leonard Bernstein (1918-1990): ‘Chichester Psalms’; Camerata Singers; New York Philharmonic; Leonard Bernstein, conductor; CBS/Sony 47162

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'La Marseillaise' by Lambert

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Richard Strauss (1864-1949): ‘Ein Heldenleben’; Daniel Majeske, violin; Cleveland Orchestra; Daniel Barenboim, conductor; London 414 292 Dimitri Shostakovich (1906-1975): ‘Lady Macbeth of Mtsensk’ excerpts; Scottish National Orchestra; Neeme Jarvi, conductor; Chandos 8587

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Hollywood anniversaries

George Gershwin (1898-1937): ‘An American in Paris’; Hollywood Bowl Orchestra; John Mauceri, conductor; Philips 438 663 Peter Ilyitch Tchaikovsky (1840-1893): ‘1812 Overture’; Berlin Philharmonic; Herbert von Karajan, conductor; EMI Classics 65690

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About Composers Datebook®

Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.

He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.

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