Maurice Ravel was 31 when he began writing a piece that he called simply, "La Valse.""The Waltz." He was 45 when he finished it. In those 14 years, everything changed: Ravel, Europe, and the piece itself. It began as a light tribute to carefree Viennese waltzes. Ravel set the piece aside, then saw the agony of World War I firsthand. When he came back to his waltz, the world was very different place. He was a very different man. And La Valse was no longer a light tribute. In 13 minutes, you'll hear the waltz slowly go delirious, spin out of control, and finally, fly apart into chaos.
Episode Playlist
Hour 1
Ralph Vaughan Williams: The Running Set
The Bournemouth Sinfonietta, George Hurst, conductor
Alexandre Desplat: Underworld and a New Beginning, from Harry Potter and the Deathly Hallows Part II
The London Symphony Orchestra, Alexandre Desplat, conductor
Frederick Delius: The Walk to the Paradise Garden, from a Village Romeo and Juliet
The Bournemouth Symphony Orchestra, David Hill, conductor
Abbey, Dorchester-on-Thames, England
York Bowen: Rhapsody for Cello and Orchestra
Raphael Wallfisch, cello, the Bournemouth Symphony Orchestra, David Hill, conductor
Abbey, Dorchester-on-Thames, England
Ralph Vaughan Williams: Fantasia on Greensleeves
The Bournemouth Symphony Orchestra, David Hill, conductor
Abbey, Dorchester-on-Thames, England
Hour 2
Peter Tchaikovsky: Russian Folk Songs Nos. 41-45
Gennady Rozhdestvensky and Viktoria Postnikova, piano
Francois Couperin: Excerpt from Fourth Book Ordre 27eme de Clavecin in B Minor
Juho Pohjonen, piano
Music@Menlo, Palo Alto, California
Antonio Vivaldi: Concerto in D, RV 93
Sharon Isbin, guitar, the Salome Chamber Orchestra
The Metropolitan Museum of Art, New York City
Henryk Wieniawski: Variations on an Original Theme, Op. 15
Itamar Zorman, violin, Ron Trachtman, piano
Tchaikovsky Competition 2011, St. Petersburg, Russia
Maurice Ravel: La Valse
The Lausanne Chamber Orchestra, Christian Zacharias, conductor
Metropole Hall, Lausanne, Switzerland
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