Composers Datebook®

A Kernis premiere wins the Pulitzer

Composers Datebook for January 10, 2011

Synopsis

On today’s date in 1998, the Lark Quartet gave the first performance of the String Quartet No. 2 by the American composer Aaron Jay Kernis. Like much of Kernis’s music, the new Quartet drew upon an eclectic variety of influences.

As Kernis himself put it: “My Second String Quartet uses elements of Renaissance and Baroque dance music and dance forms as its basis and inspiration. For years I’ve played various Bach suites and pieces from the Fitzwilliam Virginal Book at the piano for my own pleasure, and I suspected for some time that their influence would eventually show up in my own work.”

The Lark Quartet had commissioned Kernis’ FIRST String Quartet, and, like the composer, were over the moon when they learned the Second had won the Pulitzer Prize for music. Just three months after its premiere, Kernis got the news by phone as he was headed to the airport to catch a flight to Spain. “I haven’t had a martini in years,” recalled Kernis, “but that’s sort of what it felt like.”

Kernis’ Second Quartet was a triple commission from Merkin Concert Hall in New York, Ohio University, and The Schubert Club of St. Paul, Minnesota, and was dedicated to Linda Hoeschler, the former Executive Director of the American Composers Forum.

Music Played in Today's Program

Aaron Jay Kernis (b. 1960) String Quartet No. 2 (musica instrumentalis) The Lark Quartet Arabesque 6727

On This Day

Births

  • 1910 - French composer and conductor Jean Martinon, in Lyons;

  • 1916 - American composer Milton Babbitt, in Philadelphia;

Deaths

  • 1895 - French composer Benjamin Godard, age 45, in Cannes;

  • 1941 - British composer Frank Bridge, age 61, in Eastbourne;

Premieres

  • 1676 - Lully: opera "Atys," in St. Germain;

  • 1713 - Handel: opera "Teseo" at the Queen's Theater in London; On the second night of the performance, the theater manager, a certain Owen Swiney, flees to Italy with the box office receipts (Gregorian date: Jan. 21);

  • 1867 - Verdi: opera "Don Carlos" (2nd Italian-language version in 4 acts), in Milan at the Teatro alla Scala;

  • 1886 - first performance with orchestra of Bruckner: "Te Deum" in Vienna;

  • 1897 - d'Indy "Istar" for orchestra, simultaneously by Willem Mengelberg in Amsterdam and Eugène Ysayë in Brussels;

  • 1928 - Gershwin (and Sigmund Romberg): musical "Rosalie" at the New Amsterdam Theater in New York City; This show included the classic Gershwin songs "How Long Has This Been Going On?" and "Say So!";

  • 1931 - Ives: “Three Places in New England,” in New York City, by the Chamber Orchestra of Boston, Nicholas Slonimsky conducting;

  • 1934 - Franz Schmidt: Symphony No. 4, by Vienna Symphony, Oswald Kabasta conducting;

  • 1960 - Stravinsky: "Movements," at Town Hall in New York, by pianist Margit Weber during a Stravinsky Festival, with the composer conducting;

  • 1978 - Dutilleux: "Timbres, espaces, mouvement" for orchestra, in Washington, D.C.;

  • 1987 - Joan Tower: "Fanfare for the Uncommon Woman" No. 1 (later dedicated to Marin Alsop), by the Houston Symphony, Hans Vonk conducting;

  • 1998 - Kernis: String Quartet No. 2, at Merkin Concert Hall in New York, by the Lark Quartet; This work won that year's Pulitzer Prize for Music;

Others

  • 1710 - Handel's music is performed in London for the first time, when orchestral works from his opera "Rodrigo" are performed as incidental music during a revival performance of Ben Jonson's play "The Alchymist" (Gregorian date: Jan. 21).

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About Composers Datebook®

Host John Birge presents a daily snapshot of composers past and present, with timely information, intriguing musical events and appropriate, accessible music related to each.

He has been hosting, producing and performing classical music for more than 25 years. Since 1997, he has been hosting on Minnesota Public Radio's Classical Music Service. He played French horn for the Cincinnati Symphony and Pops Orchestra and performed with them on their centennial tour of Europe in 1995. He was trained at the Cincinnati College-Conservatory of Music, Eastman School of Music and Interlochen Arts Academy.

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