On this week's Top Score, Emily Reese talks with composer Paul Ruskay, who created the soundtrack for 'Homeworld Remastered'. He explains how he brought the soundtrack back to life from its original version, composed 15 years ago.
Composing duo Brian Trifon and Brian Lee White (aka Finishing Move) met with Top Score host Emily Reese to discuss the game Massive Chalice and the challenges it posed to them. They also share pointers for other collaborative composers.
The recessional is the icing on the cake at a wedding ceremony. If you're planning a wedding, Classical MPR's Brad Althoff offers his musicians point-of-view on five pieces that will mirror your happiness and make it easy to smile as you walk in time past your friends and family. What's more, they're pieces you might not have heard at every other wedding you've ever attended.
In creating the soundtrack for 'Assassin's Creed Unity: Dead Kings', composer Cris Velasco used traditional sounds, including arpeggios, counterpoint and harpsichord to create music to fit the game's 18th-century setting.
Composer Billy Martin is known for writing soundtracks with comedic and with jazz elements. This week on Top Score, Emily Reese talks to Martin about his work, and we hear samples of two very different soundtracks.
Composer Peter McConnell felt pressure to write great music for the game 'Hearthstone', which was projected to be a big seller. McConnell is Emily Reese's guest on this week's Top Score.
To compose the music for 'The Order: 1886', Jason Graves removed instruments that don't carry a heavy sound. Violins and high woodwinds were thrown out, and violas and cellos doubled up. Learn more about it on this week's episode of Top Score.
A highly versatile composer, Winifred Phillips has created music for the ever-adorable 'LittleBigPlanet 3' and for the brutal 'Assassin's Creed III: Liberation'. She recently pulled off a five-minute fugue for 'The Ziggurat', voicing 12 vocal parts herself. Phillips is Emily Reese's guest on this week's Top Score.
